In fifty-five sonnets, Rilke plays an astonishing set of philosophical and sensual variations on the Orpheus myth. 'Praising, that's it!' he declares; nature, art, love, time, childhood, technology, poverty, justice - all are encompassed in poems that spark with insight and invention, amongst the joyful and light-footed that Rilke ever wrote. 'All poetry resists translation, and one poem may have many different versions in another language; what I look for first is clarity, and this version supplies that generously. With the presence of the German text and Crucefix's helpful notes, the English-speaking reader with little or no German will find in this version a welcoming entrance to the path which leads eventually to a full understanding - if a full understanding of this mysterious poetry is ever possible. This translation will have, and keep, a place on my shelves where all the poetry lives.' PHILIP PULLMAN
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Perhaps the greatest lyric poet of the twentieth century, RAINER MARIA RILKE (1875 - 1926) was born in Prague and led a nomadic existence, living in Germany, Russia, Spain, Italy and France before his death in Switzerland from leukaemia. He dedicated himself exclusively to his work, including the New Poems (1907 - 8), the semi-autobiographical novel The Notebooks of Malte Laurids Brigge (1910), Duino Elegies (1923) and Sonnets to Orpheus (1923). MARTYN CRUCEFIX's own poetry - for which he has won numerous prizes, including a major Eric Gregory award and a Hawthornden Fellowship - has been praised as 'urgent, heartfelt, controlled and masterful' (Poetry London). His collections include Beneath Tremendous Rain (1990), At The Mountjoy Hotel (1993), On Whistler Mountain (1994), A Madder Ghost (Enitharmon, 1997), An English Nazareth (Enitharmon, 2004) and Hurt (Enitharmon, 2012). His translation of Rilke's Duino Elegies (Enitharmon, 2006) was shortlisted for the Corneliu Popescu Prize and chosen by the novelist Philip Pullman as one of his 40 favourite books.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. In fifty-five sonnets, Rilke plays an astonishing set of philosophical and sensual variations on the Orpheus myth. 'Praising, that's it!' he declares; nature, art, love, time, childhood, technology, poverty, justice - all are encompassed in poems that spark with insight and invention, amongst the joyful and light-footed that Rilke ever wrote. 'All poetry resists translation, and one poem may have many different versions in another language; what I look for first is clarity, and this version supplies that generously. With the presence of the German text and Crucefix's helpful notes, the English-speaking reader with little or no German will find in this version a welcoming entrance to the path which leads eventually to a full understanding - if a full understanding of this mysterious poetry is ever possible. This translation will have, and keep, a place on my shelves where all the poetry lives.' PHILIP PULLMAN In fifty-five sonnets, Rilke plays an astonishing set of philosophical and sensual variations on the Orpheus myth. 'Praising, that's it!' he declares; nature, art, love, time, childhood, technology, poverty, justice - all are encompassed in poems that spark with insight and invention, amongst the joyful and light-footed that Rilke ever wrote. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781907587221
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Paperback. Etat : New. In fifty-five sonnets, Rilke plays an astonishing set of philosophical and sensual variations on the Orpheus myth. 'Praising, that's it!' he declares; nature, art, love, time, childhood, technology, poverty, justice - all are encompassed in poems that spark with insight and invention, amongst the joyful and light-footed that Rilke ever wrote. 'All poetry resists translation, and one poem may have many different versions in another language; what I look for first is clarity, and this version supplies that generously. With the presence of the German text and Crucefix's helpful notes, the English-speaking reader with little or no German will find in this version a welcoming entrance to the path which leads eventually to a full understanding - if a full understanding of this mysterious poetry is ever possible. This translation will have, and keep, a place on my shelves where all the poetry lives.' PHILIP PULLMAN. N° de réf. du vendeur LU-9781907587221
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Paperback. Etat : New. In fifty-five sonnets, Rilke plays an astonishing set of philosophical and sensual variations on the Orpheus myth. 'Praising, that's it!' he declares; nature, art, love, time, childhood, technology, poverty, justice - all are encompassed in poems that spark with insight and invention, amongst the joyful and light-footed that Rilke ever wrote. 'All poetry resists translation, and one poem may have many different versions in another language; what I look for first is clarity, and this version supplies that generously. With the presence of the German text and Crucefix's helpful notes, the English-speaking reader with little or no German will find in this version a welcoming entrance to the path which leads eventually to a full understanding - if a full understanding of this mysterious poetry is ever possible. This translation will have, and keep, a place on my shelves where all the poetry lives.' PHILIP PULLMAN. N° de réf. du vendeur LU-9781907587221
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