Dr Johnson sums up the case against Milton: “the want of human interest is always felt.” It is the apparent distance of Paradise Lost from ordinary humanity that has thrilled or repelled critics throughout the ages. While many readers are carried away by Milton’s sublimity, others are daunted by his grandeur, scope and learning. Milton himself declared that he would not begin to write until he had “completed the full circle of my private studies”. The Greek word for a circle of learning is the root of “encyclopaedia”; and Milton’s erudition is encyclopaedic. Paradise Lost draws on both ancient learning and the scholarship of his day, displaying not only his deep knowledge of the Bible and Biblical scholarship, and his passionate assimilation of the classics, but also his absorption in astronomy, cosmology, geography, numerology and science. Yet many critics of Paradise Lost argue that all this circling lacks a human centre. Who, after all, is the hero? Adam and Eve in their unfallen state are too remote from us; Christ is not yet incarnate; God cannot be a character. Which leaves us with the magnificently problematic figure of Satan. In this fascinating study of Milton’s great poem, Caroline Moore suggests that, contrary to what these critics argue, the core of Paradise Lost is extraordinarily human. Milton himself believed that poetry excelled at describing “the wily subtleties and refluxes of man’s thought from within”. This is precisely what Paradise Lost does. If, to a generation raised on the novel, Milton’s methods of psychological exploration seem strange, this only intensifies the effect: Paradise Lost is a poem that explores the dark byways and infinite strangeness of the human heart.
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Caroline Moore read English at Girton College, Cambridge, and was the first female Fellow of Peterhouse College. She left Cambridge after the birth of her twins, and has become a book reviewer, chiefly for The Spectator and The Sunday Telegraph. She is married to the columnist Charles Moore.
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Paperback. Etat : new. Paperback. What is Paradise Lost about? Is Milton's handling of Satan flawed? What makes Eve finally choose wrong? Is Eve inferior to Adam? Why have so many critics misread Paradise Lost? How does Paradise Lost fit into the tradition of epic poetry? Why is the 'psychology of delay' so important in Paradise Lost? What makes Eve visit the forbidden tree? Why does Satan use height to tempt Eve? How does Milton portray the counter-human nature of evil? Milton's Paradise Lost has long been acknowledged as one of the greatest literary works in the English language. Yet while many readers have been carried away by Milton's sublimity, others have been daunted by his grandeur, scope and learning. In this brilliantly concise and scholarly book, Caroline Moore shows what makes Milton's verse so extraordinarily powerful and why many critics have misunderstood him. Paradise Lost, Moore argues, is the most profound study ever undertaken of the human act of choice.No other English poet - not even Shakespeare - has ever stared so long and hard into the abyss "between the acting of a dreadful thing / And the first motion"; no other poet has shown quite so vividly the dark byways and infinite strangeness of the human heart. While many readers have been carried away by Milton's sublimity, others have been daunted by his scope and learning. In this brilliantly concise book, Moore shows what makes Milton's verse so powerful, making it as she does so more accessible to the reader. This poem, Moore argues, is the most profound study ever written of the human act of choice. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781907776106
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