What explains the special quality of A Midsummer Night’s Dream? Samuel Johnson called the play “wild and fantastical”, noting how “all the parts in their various modes are well written and give the kind of pleasure which the author designed”. The 19th-century critic William Hazlitt wrote, in the play’s own imagery, of his “wandering in a grove by moonlight” through “a sweetness like odours thrown from beds of flowers”. For these critics, the variety of language, character and incident on offer in the Dream was particularly pleasant and happy, and suited what they saw as the overall bent of the play towards happiness. G. K. Chesterton responded to “a spirit that unites mankind” in “the mysticism of happiness” and of the play’s “pure poetry and intoxication of words”, “the amazing artistic and moral beauty” of its design. As Tom Bishop says in this thoughtful guide to the play, one can acknowledge all this, and yet also note how the brightness of that design is full of shadow. Indeed, “shadow” is an important word in the play; the very actors who present it are finally called “shadows”. If the play celebrates happiness, it also knows something sadder, not only that unhappiness is possible but that happiness itself may be maintained only by a fragile resolution, perhaps by mere good fortune. Happiness is a kind of gift, perhaps even a kind of grace. In this play, the gift is not withheld, but the play remains very much aware of how it might be, of what slight turn would produce a very different outcome, one not less true to its picture of human life, if less lucky.
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Tom Bishop is Professor of English at the University of Auckland, New Zealand. He is the author of Shakespeare and the Theatre of Wonder (Cambridge, 1996), translator of Ovid's Amores (Carcanet, 2003), and co-editor of The Shakespearean International Yearbook, an annual collection of essays on Shakespeare. He has published articles on Elizabethan music, Shakespeare, Jonson, Australian literature and other topics, and is currently working on Shakespeare's Theatre Games.
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Paperback. Etat : new. Paperback. What is A Midsummer Night's Dream about? What are we supposed to make of Theseus? How much does Shakespeare owe to Ovid? Why is magic so important in the play? Why did Shakespeare bring in the "mechanicals"? What should we make of Titania and Bottom? How are women treated in the play? Why is the play called a dream? How does the play's language reflect its view of love? How reassuring is the conclusion? What view of the world does A Midsummer Night's Dream leave us with? A Midsummer Night's Dream is a glittering masterpiece which was revolutionary in its time, argues Tom Bishop - the most complicated piece of plotting in any English play. Held together by a lyrical energy at once enthralling and playful, it is about love and the role of the imagination in love, and its view of us mortals is roughly Puck's: "Lord, what fools these mortals be!" But our folly, Shakespeare suggests, is also a blessing: the paradox at the heart of the play is that the source of all that is most dangerous and destructive in the world is also the source of all that is best in it. This play is a revolutionary masterpiece, argues Tom Bishop. Held together by a lyrical energy, it is about love and the role of the imagination in love. Human folly, Shakespeare suggests, is also a blessing: the paradox at the heart of the play is that the source of all that is most destructive in the world is also the source of all that is best. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781907776182
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