Reading Mentioning the War, it becomes obvious that Kevin Higgins is not like other critics. An enthusiastic advocate for the work of the new generation of poets who have emerged from Ireland's thriving live poetry scene; he is also a merciless opponent of hypocrisy and pretentiousness wherever he finds it. It would be impossible to agree with everything in this book; it is a book which often disagrees with itself. But on subjects as diverse as socialist poetry and neoconservatism, funding for the arts and the anti-war movement, Higgins informs, infuriates, and entertains, as any good critic should.
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Kevin has published four collections of poetry with Salmon, The Ghost In The Lobby (2014), Frightening New Furniture (2010), Time Gentlemen, Please (2008), and his best-selling first collection, The Boy With No Face (2005), which was short-listed for the 2006 Strong Award for Best First Collection by an Irish poet. His poetry is discussed in The Cambridge Introduction to Modern Irish Poetry and features in the generation defining anthology Identity Parade –New British and Irish Poets (Ed. Roddy Lumsden, Bloodaxe, 2010) and in The Hundred Years’ War: modern war poems (Ed. Neil Astley, Bloodaxe, April 2014). A collection of Kevin’s essays and book reviews, Mentioning The War, was published by Salmon Poetry in 2012 and 2016 – The Selected Satires of Kevin Higgins was published by NuaScéalta in early 2016. The Stinging Fly magazine recently described Kevin as “likely the most read living poet in Ireland.”
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. This is Kevin Higgins' first book of essays on poetry, the written word, and the wider world. Higgins is an enthusiastic advocate for the new generation of Irish poets emerging from a thriving live poetry scene. He is also a merciless opponent of hypocrisy and pretentiousness wherever he finds it his political writing draws comparison with George Orwell, the subject of two extended essays here.With subjects as diverse as socialism and neoconservatism, arts funding and the anti-war movement, Higgins informs, infuriates and entertains."There's an arresting phrase, a new angle on a writer or a political position you thought you already knew about, in just about every piece here" John GoodbyKevin Higgins is a writing tutor in Galway, where he also co-organises the Over the Edge series of literary events. His first collection, The Boy With No Face (Salmon, 2005) was shortlisted for the 2006 Strong Award. It was followed by Time Gentlemen, Please (Salmon, 2008), a poem from which was featured in the Forward Book of Poetry 2009 (Faber, 2008); and Frightening New Furniture (Salmon, 2010). His work also features in the Bloodaxe anthology Identity Parade: New British & Irish Poets, edited by Roddy Lumsden (2010). Kevin has read his work at festivals across Ireland, the UK, the US and Australia. Higgings informs, infuriates and entertains, as any good critic should. Higgins, an enthusiastic advocate for Ireland's contemporary poetry scene, is also a merciless opponent of pretentiousness or hypocrisy wherever he finds it. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781908836120
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Etat : Very Good. Num Pages: 217 pages, Illustrations. BIC Classification: DNJ; DSBH. Category: (G) General (US: Trade). Dimension: 216 x 142 x 17. Weight in Grams: 290. Good clean copy with some minor shelf wear. 2012. Paperback. . . . . N° de réf. du vendeur KAK0002152
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : As New. 2012. Paperback. Num Pages: 217 pages, Illustrations. BIC Classification: DNJ; DSBH. Category: (G) General (US: Trade). Dimension: 216 x 142 x 17. Weight in Grams: 290. Clean copy. . . . . N° de réf. du vendeur KEX0238010
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