Seeing and Believing is an illustrated overview of the work of Canadian artist Luis Jacob. An important figure in contemporary art, Jacob's work explores the subjectivity of aesthetic experience, and the uncanny dimension of our encounters with works of art. With Seeing and Believing Jacob explores the role of the art museum as frame, and the artwork in its capacity to "look back"; at the contemporary viewer. The book focuses on three of his own exhibitions: Tableaux Vivants at Fonderie Darling, Montreal in 2010; Pictures at an Exhibition at the Museum of Contemporary Canadian Art, Toronto in 2011; and L'oeil, la brèche, l'image/ The Eye, the Hole, the Picture at the McCord Museum, Montreal in 2012. Extensive documentation of these exhibitions is presented along with essays by curators Marie Fraser, David Liss and Anne-Marie Ninacs. Accompanying these critical perspectives is a text written by the artist himself, titled "Groundless in the Museum: Anarchism and the Living Work of Art". Seeing and Believing will appeal to artists, theorists, and anyone interested in curatorial/museum studies. A timely contribution to contemporary discussions, this book invites the reader to consider what lies behind the picture: a matter of faith, and a trigger to an inquisitive "second look". Luis Jacob's work has been exhibited at documenta 12, Kassel; Städtisches Museum Abteiberg, Mönchengladbach; Generali Foundation, Vienna; Barbican Centre, London; Museum van Hedendaagse Kunst Antwerpen (MuHKA), Antwerp; The Power Plant Contemporary Art Gallery, Toronto; and the Solomon R Guggenheim Museum, New York.
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Luis Jacob is an artist, rising in popularity, who lives in Toronto, Canada. Working as artist, curator, and writer, his diverse practice addresses issues of social interaction and the subjectivity of aesthetic experience. Solo exhibitions include: Pictures at an Exhibition, Museum of Contemporary Canadian Art (Toronto); Without Persons, Art in General (New York City); Tableaux Vivants, Fonderie Darling Foundry (Montreal); Group exhibitions include: Haunted: Contemporary Photography/Video/Performance, at the Solomon R. GuggenheimMuseum (New York) and Dance with Camera, Contemporary Art Museum (Houston) and Institute of Contemporary Art, University of Pennsylvania (Philadelphia); and documenta12 (Kassel).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : ANARTIST, New York, NY, Etats-Unis
Softcover, 224 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra. N° de réf. du vendeur LuJaBl20
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Vendeur : Pulpfiction Books, Vancouver, BC, Canada
Soft cover. Etat : Fine. 1st Edition. Fine- oversize trade paperback, clean and unmarked. Heavy oversize book will require a shipping surcharge if not sent via US Media Mail, or to any non-US destination. N° de réf. du vendeur 008699
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Vendeur : George Longden, Macclesfield, Royaume-Uni
Paperback. Etat : Good. Unobtrusive 50 mm closed split at top of rear edge of spine. Binding remains sound. Spine not creased. 220 x 270 mm. 224 pp. Published to accompany a series of three projects in Toronto and Montreal. Illustrated. English language edition. N° de réf. du vendeur 82595
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