The 1969 Isle of Wight Festival was Bob Dylan's one and only full concert appearance in seven-and-a-half years and played its part in a highly transformative period of the artist's life. Stealing Dylan from Woodstock tells, from a unique perspective, of an extraordinary event which seismically altered the lives of the author, his family, all those involved with it and many of those who attended.
For a time, the Isle of Wight Festivals transformed a sleepy English island into the rock'n'roll capital of the world. What started in 1968 as a parochial one-nighter in a stubble field to raise funds for a local swimming pool, a year later ballooned into a massive outdoor gathering. Numbers sky-rocketed as devotees flocked to the Island from mainland Britain, Europe, the Americas and as far away as Australia, to pay homage to rock's poet laureate, Bob Dylan.
The reclusive star had been holed up in the artist-town of Woodstock for more than three years, following a serious motorcycle accident. He toyed with playing the Woodstock festival brought to his own front door but it was the Foulk brothers who succeeded where all others failed, luring Dylan 3,000 miles away from home to their Island, to create a Woodstock of his own.
Landing the music biz coup of the decade, the three Foulk brothers, a printer, an estate agent and an art student became pioneers in pop promotion by signing for the world exclusive appearance of the reluctant 'voice of his generation'.
For the organisers, short on experience, resources and time, the ensuing public response was almost overwhelming, and the challenge of delivering the most eagerly-awaited musical event of the era daunting. The world's media covered the phenomena, gave the event global coverage and marked it as a suitable climax as the swinging sixties drew to a close.
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Ray Foulk, now based in Oxford, has fostered many passions since his early days as a promoter. After the dizzy heights of the Isle of Wight Festivals and stadium events in London, the Foulk brothers were head-hunted by the Milton Keynes Development Corporation to help plan the leisure content of their new city.
Through this Ray brought the inventor/scientist/ designer Buckminster Fuller, to the project, embraced his environmentalism, and eventually trained as an architect himself at the University of Cambridge. Combining design, education and promotion he spent much of the nineties and noughties as an environmental campaigner, and led the ambitious in-schools project, Blue Planet Day, rekindling the satisfaction, and more, that the festivals had brought to his youth.
Recent years have been dominated by environmental architecture and writing.
Caroline Foulk has worked with her father, Ray, for many years, researching, writing, and co-promoting the schools environmental project, Blue Plant Day. Recently, together they have completed a screenplay for the cinema about the invention of modern art. Caroline trained and worked as a teacher and lives in Oxford with her husband and three children.
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Hardcover. Etat : new. Hardcover. For a time, the Isle of Wight Festivals transformed a sleepy English island into the rock'n'roll capital of the world. From promoting a one-nighter in 1968, to raise funds for a local swimming pool, the young Foulk brothers were able to outperform Woodstock, by signing the world-exclusive appearance of rock's poet laureate, Bob Dylan.The de facto leader of the counterculture had been hidden away in the artist-town of Woodstock, rarely seen after a motorcycle accident three years earlier. He turned his back on the eponymous festival, put there to persuade him to come out and play, and left for Europe on the day their event began. For the Foulk brothers - lacking experience, resources and time - the coup and ensuing public response was almost overwhelming, but with audacious bravado and steely determination they delivered the most awaited event of the era. Devotees from hippies to celebrities flocked to the Island from mainland Britain, Europe, the Americas and as far away as Australia. As well as changing the lives of Ray and his brothers the phenomenon played its part in a highly transformative period for Bob Dylan, in which the Isle of Wight remained his one and only full concert appearance in seven-and-a-half years. For a time, the Isle of Wight Festivals turned a quiet English island into the rock'n'roll captial of the world. Starting with a 1968 fundraiser, the young Foulk brothers outperformed Woodstock by securing a world-exclusive appearance from Bob Dylan. The transformative event reshaped Dylan's career, the brother's lives, and festivals to come. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781909339507
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Hardback. Etat : New. First Edition, Hardcover. For a time, the Isle of Wight Festivals transformed a sleepy English island into the rock'n'roll capital of the world. From promoting a one-nighter in 1968, to raise funds for a local swimming pool, the young Foulk brothers were able to outperform Woodstock, by signing the world-exclusive appearance of rock's poet laureate, Bob Dylan. The de facto leader of the counterculture had been hidden away in the artist-town of Woodstock, rarely seen after a motorcycle accident three years earlier. He turned his back on the eponymous festival, put there to persuade him to come out and play, and left for Europe on the day their event began. For the Foulk brothers - lacking experience, resources and time - the coup and ensuing public response was almost overwhelming, but with audacious bravado and steely determination they delivered the most awaited event of the era. Devotees from hippies to celebrities flocked to the Island from mainland Britain, Europe, the Americas and as far away as Australia. As well as changing the lives of Ray and his brothers the phenomenon played its part in a highly transformative period for Bob Dylan, in which the Isle of Wight remained his one and only full concert appearance in seven-and-a-half years. N° de réf. du vendeur LU-9781909339507
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Hardback. Etat : New. First Edition, Hardcover. For a time, the Isle of Wight Festivals transformed a sleepy English island into the rock'n'roll capital of the world. From promoting a one-nighter in 1968, to raise funds for a local swimming pool, the young Foulk brothers were able to outperform Woodstock, by signing the world-exclusive appearance of rock's poet laureate, Bob Dylan. The de facto leader of the counterculture had been hidden away in the artist-town of Woodstock, rarely seen after a motorcycle accident three years earlier. He turned his back on the eponymous festival, put there to persuade him to come out and play, and left for Europe on the day their event began. For the Foulk brothers - lacking experience, resources and time - the coup and ensuing public response was almost overwhelming, but with audacious bravado and steely determination they delivered the most awaited event of the era. Devotees from hippies to celebrities flocked to the Island from mainland Britain, Europe, the Americas and as far away as Australia. As well as changing the lives of Ray and his brothers the phenomenon played its part in a highly transformative period for Bob Dylan, in which the Isle of Wight remained his one and only full concert appearance in seven-and-a-half years. N° de réf. du vendeur LU-9781909339507
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