These extraordinary works by Cecily Brown, of wrecked ships, frantic and prone bodies, carefully illuminate the tensions between the past and the present. Taking inspiration from Delacroix’s shipwreck paintings, as well as one of the most feted paintings in the world; Géricault’s, The Raft of the Medusa, 1818–19. In her introduction to the book, Whitworth curator Dr Samantha Lackey writes, ‘These extraordinary works by Cecily Brown, of wrecked ships, frantic and prone bodies, carefully illuminate the tensions between the past and the present. Of course, these drawings also push to the forefront of our minds the images we see every day on our screens, of shipwrecked refugees attempting, and failing, to make their own sea voyages.’
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Jasper Sharp is the Curator of Modern and Contemporary Art at the Kunsthistorisches Museum in Vienna, where he has been since 2011. The British-born art historian previously worked at the Peggy Guggenheim Collection in Venice and was the Commissioner of the Austria Pavilion at the 2013 Venice Biennale.
These extraordinary works by Cecily Brown, of wrecked ships, frantic and prone bodies, carefully illuminate the tensions between the past and the present. Taking inspiration from Delacroix’s shipwreck paintings, as well as one of the most feted paintings in the world; Géricault’s, The Raft of the Medusa, 1818–19. In her introduction to the book, Whitworth curator Dr Samantha Lackey writes, ‘These extraordinary works by Cecily Brown, of wrecked ships, frantic and prone bodies, carefully illuminate the tensions between the past and the present. Of course, these drawings also push to the forefront of our minds the images we see every day on our screens, of shipwrecked refugees attempting, and failing, to make their own sea voyages.’
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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