In The Arrow-maker, D.M. Black's sensitive attention to emotional states of mind, sometimes his own, sometimes those of others such as St. Augustine, Ezra Pound, Paul Celan or Jacques Brel, also extends to more public themes of war and climate change. As always, his forms are various, but there is a predominance now of poems spoken in a thinking voice that remembers the iambic pentameter without being subdued by it. In a final section, versions of two Dante cantos, from the Purgatorio and Paradiso, focus in particular on Dante's qualities of thoughtfulness and intellectual precision.
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D. M. Black is a Scottish poet, born in South Africa in 1941, brought up in Scotland from 1950. He now lives in London and Wiltshire. In 1991 he produced a Collected Poems (Polygon), having previously published four collections of poems and a number of pamphlets. He was included in the first series of Penguin Modern Poets (no. 11, 1968) and his poems have appeared in many anthologies including: British Poetry since 1945 (Penguin, 1970), edited by Edward Lucie-Smith; The Faber Book of Twentieth Century Scottish Poetry (Faber, 1992), edited by Douglas Dunn; Emergency Kit (Faber, 1996), edited by Jo Shapcott and Matthew Sweeney; Generations (Penguin, 1998), edited by Melanie Hart and James Loader; A Quark for Mr. Mark: 101 Poems about Science (Faber, 2000), edited by Maruice Riordan and Jon Turney; Apollinaire (Everyman, 2000), edited by Robert Chandler; and Wild Reckoning (Calouste Gulbenkian Foundation, 2004), edited by Maurice Riordan and John Burnside. Since 1991 he has published a collection of translations of Goethe, Love as Landscape Painter, and individual poems in a variety of journals including Modern Poetry in Translation, Poetry London, Stand, Thumbscrew and the TLS.
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