In its geographical sweep – from Israel / Palestine westward across Europe, then circling back to Greece – No Cherry Time reflects a personal tale of alienation, departure and quest. Fine-tuned to the natural world, sustained by its fragile continuities, the poems play out a restive music. As the focus comes to settle on Greece, it is above all the Mediterranean ('sea between the lands') that buoys the imaginative spirit, blurring East and West. It brings back a 'orld still wide, blissfully unknown'.
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JENNIE FELDMAN was born in South Africa, brought up in London, and graduated in Modern Languages (French) at Oxford. After a career in radio broadcasting, as well as teaching and editing, she became a freelance writer and translator.
Until recently she spent much of her time in Jerusalem; there she was a volunteer with the Israeli NGO Humans Without Borders, which transports chronically ill Palestinian children from the West Bank to hospital appointments in Israel. (She has written on this, and on other Palestine related subjects, in the Times Literary Supplement.) She is now based in Oxford.
No Cherry Time is Jennie Feldman’s third collection of poems. Her first, The Lost Notebook (2005) was shortlisted for the Glen Dimplex Prize, and her second, Swift, came out in 2012. Both were published by Anvil Press Poetry (now Anvil / Carcanet), as were three books of translations: Jacques Réda, Treading Lightly: Selected Poems 1961-1975 (2005); Into the Deep Street: Seven Modern French Poets 1938-2008 (2009), co-authored with Stephen Romer, which was awarded a special commendation by the judges of the 2011 Popescu Poetry Prize; and Jacques Réda, The Mirabelle Pickers (2012).
Jennie Feldman’s most recent publication is Chardin and Rembrandt by Marcel Proust (David Zwirner Books, 2016). Her poems have appeared in various journals, among them Agenda, London Magazine, Oxford Poetry, PN Review, Poetry Review, Stand, and the Times Literary Supplement.
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