Our continuing partnership with Marlborough Contemporary focuses on Hamburg-based artist Werner Büttner, with this the first substantial book to be published on the artist's work in English. Büttner is best known for drawing out deeper layers of meaning from daily scenes out of life that, at first glance, may seem banal. Büttner's large-scale neo-Expressionist and neo-Dadaist paintings and enlarged colour print collages address social ills with a biting and wry humour. In doing so, Büttner uses all genres of painting, including the still life, self-portraiture, and history painting. Büttner was born in Jena, Thüringen in 1954 and achieved prominence in the early 1980s as one of the Jungen Wilden , a group that included Martin Kippenberger, and the brother Albert and Markus Oehlen. In contrast to the then dominant minimal conceptual and video art, they produced expressive figurative paintings that have been described as a politically motivated realism. Büttner's work has continued to be marked by irony and critical distance, with its import often amplified by his combination of words and images. In 1960, Büttner's family fled from the GDR to West Germany, and his experience of two opposed political systems has provided him with the advantage of being able to look at both with a degree of scepticism. In his use of collage, and his combination of the everyday and the commonplace in his work, this sceptical perspective becomes manifest as a critical method. With cutting wit, Büttner breaks the spell of daily social events and renders their values relative and benign. Werner Büttner lives and works in Geesthacht. Since 1989 he has been Professor of Painting at the University of Fine Arts, Hamburg.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Our continuing partnership with Marlborough Contemporary focuses on Hamburg-based artist Werner Büttner, with this the first substantial book to be published on the artist's work in English. Büttner is best known for drawing out deeper layers of meaning from daily scenes out of life that, at first glance, may seem banal. Büttner's large-scale neo-Expressionist and neo-Dadaist paintings and enlarged colour print collages address social ills with a biting and wry humour. In doing so, Büttner uses all genres of painting, including the still life, self-portraiture, and history painting. Büttner was born in Jena, Thüringen in 1954 and achieved prominence in the early 1980s as one of the Jungen Wilden , a group that included Martin Kippenberger, and the brother Albert and Markus Oehlen. In contrast to the then dominant minimal conceptual and video art, they produced expressive figurative paintings that have been described as a politically motivated realism. Büttner's work has continued to be marked by irony and critical distance, with its import often amplified by his combination of words and images. In 1960, Büttner's family fled from the GDR to West Germany, and his experience of two opposed political systems has provided him with the advantage of being able to look at both with a degree of scepticism. In his use of collage, and his combination of the everyday and the commonplace in his work, this sceptical perspective becomes manifest as a critical method. With cutting wit, Büttner breaks the spell of daily social events and renders their values relative and benign. Werner Büttner lives and works in Geesthacht. Since 1989 he has been Professor of Painting at the University of Fine Arts, Hamburg.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Jeff Hirsch Books, ABAA, Wadsworth, IL, Etats-Unis
First Edition. First edition and first printing. Hardcover. 263 pages. Monograph on the paintings of German artist Werner Buttner. Features texts by Fritz W. Kramer, Harald Falckenberg, Peter Wiebel, Gilda Williams, John Slyce, and with a contribution by Buttner as well as a conversation between him and Werner Hofmann. Includes numerous illustrations, list of previous exhibitions, list of selected publications and records, and a list of works. An about very good copy in illustrated boards with some wear along the spine. No dust jacket as issued. Internally a clean copy. Please note that this is a heavy book and will require extra shipping. N° de réf. du vendeur 216815
Quantité disponible : 1 disponible(s)
Vendeur : ANARTIST, New York, NY, Etats-Unis
Hardcover without dustjacket as issued, 264 pages, in English; as new condition, no internal marks, clean and crisp. Foreign shipping may be extra. N° de réf. du vendeur WeBuBl65
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Vendeur : West Valley??, Wien, Autriche
Hardcover. Etat : As New. "Büttner is best known for drawing out deeper layers of meaning from daily scenes that, at first glance, may seem banal. He creates surreal assemblages that question our systems of value and contradict our understanding of what elements or images may be brought together. His work confronts social norms with both irony and satire; while retaining a firm understanding of the history of painting, Büttner is constantly testing convention. His large-scale neo-Expressionist and neo-Dadaist works address social issues with a biting and wry humour. In doing so, Büttner uses all genres of painting, including still life, self-portraiture and history painting. This lavishly-produced book presents newly commissioned texts as well as key essays relating to Büttner's practice, and taken with its sister volume dealing with his collage practice My Looting Eye are the first substantial books on Büttner in English for many years." 264 pages. N° de réf. du vendeur ABE-1773688651925
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Vendeur : Optimon Books, Gravesend, KENT, Royaume-Uni
Hardcover. Etat : Good. Bttner is best known for drawing out deeper layers of meaning from daily scenes that, at first glance, may seem banal. He creates surreal assemblages that question our systems of value and contradict our understanding of what elements or images may be brought together. His work confronts social norms with both irony and satire; while retaining a firm understanding of the history of painting, Bttner is constantly testing convention. His large-scale neo-Expressionist and neo-Dadaist works address social issues with a biting and wry humour. In doing so, Bttner uses all genres of painting, including still life, self-portraiture and history painting. This lavishly-produced book pre. N° de réf. du vendeur 436919
Quantité disponible : 1 disponible(s)
Vendeur : Book Folk, Buxton, DERBY, Royaume-Uni
Hardcover. Etat : Very Good. 264pp. No dust jacket as issued. Larger format and heavy (may required additional shipping within U.K.) Boards very slightly bowed with scuffs at bottom corners. Content very clean and tight. Overall, a solid copy. N° de réf. du vendeur BF0360
Quantité disponible : 1 disponible(s)
Vendeur : Widney Manor Books, Solihull, MIDLA, Royaume-Uni
Hardcover. Etat : New. N° de réf. du vendeur 020480
Quantité disponible : 9 disponible(s)