Winner of the 2017 Griffin Prize
Winner of the 2016 Costa Poetry Award
Shortlisted for the 2016 T. S. Eliot Award
Shortlisted for the 2016 Forward Prize
A Daily Telegraph / Guardian / Herald / New Statesman / Sunday Times / Times Literary Supplement Book of the Year
Alice Oswald’s poems are always vivid and distinct, alert and deeply, physically, engaged in the natural world. Mutability – a sense that all matter is unstable in the face of mortality – is at the heart of this new collection and each poem is involved in that drama: the held tension that is embodied life, and life’s losing struggle with the gravity of nature.
Working as before with an ear to the oral tradition, these poems attend to the organic shapes and sounds and momentum of the language as it’s spoken as well as how it’s thought: fresh, fluid and propulsive, but also fragmentary, repetitive. These are poems that are written to be read aloud.
Orpheus and Tithonus appear at the beginning and end of this book, alive in an English landscape, stuck in the clockwork of their own speech, and the Hours – goddesses of the seasons and the natural apportioning of Time – are the presiding figures. The persistent conditions are flux and falling, and the lines are in constant motion: approaching, from daring new angles, our experience of being human, and coalescing into poems of simple, stunning beauty.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Alice Oswald lives in Devon and is married with three children. Her collections include Dart, which won the 2002 T.S. Eliot Prize, Woods etc. (Geoffrey Faber Memorial Prize), A Sleepwalk on the Severn (Hawthornden Prize), Weeds and Wildflowers (Ted Hughes Award), Memorial (Warwick Prize for Writing), and Falling Awake, which won the 2016 Costa Poetry Award and the Griffin Prize for Poetry. She was elected as the Oxford University Professor of Poetry in 2019.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : Very Good. Winner of the 2017 Griffin Prize Winner of the 2016 Costa Poetry Award Shortlisted for the 2016 T. S. Eliot Award Shortlisted for the 2016 Forward Prize A Daily Telegraph / Guardian / Herald / New Statesman / Sunday Times / Times Literary Supplement Book of the Year Alice Oswalds poems are always vivid and distinct, alert and deeply, physically, engaged in the natural world. Mutability a sense that all matter is unstable in the face of mortality is at the heart of this new collection and each poem is involved in that drama: the held tension that is embodied life, and lifes losing struggle with the gravity of nature. Working as before with an ear to the oral tradition, these poems attend to the organic shapes and sounds and momentum of the language as its spoken as well as how its thought: fresh, fluid and propulsive, but also fragmentary, repetitive. These are poems that are written to be read aloud. Orpheus and Tithonus appear at the beginning and end of this book, alive in an English landscape, stuck in the clockwork of their own speech, and the Hours goddesses of the seasons and the natural apportioning of Time are the presiding figures. The persistent conditions are flux and falling, and the lines are in constant motion: approaching, from daring new angles, our experience of being human, and coalescing into poems of simple, stunning beauty. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR007645036
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Paperback. Etat : New. Winner of the 2017 Griffin PrizeWinner of the 2016 Costa Poetry AwardShortlisted for the 2016 T. S. Eliot AwardShortlisted for the 2016 Forward PrizeA Daily Telegraph / Guardian / Herald / New Statesman / Sunday Times / Times Literary Supplement Book of the YearAlice Oswald's poems are always vivid and distinct, alert and deeply, physically, engaged in the natural world. Mutability - a sense that all matter is unstable in the face of mortality - is at the heart of this new collection and each poem is involved in that drama: the held tension that is embodied life, and life's losing struggle with the gravity of nature.Working as before with an ear to the oral tradition, these poems attend to the organic shapes and sounds and momentum of the language as it's spoken as well as how it's thought: fresh, fluid and propulsive, but also fragmentary, repetitive. These are poems that are written to be read aloud.Orpheus and Tithonus appear at the beginning and end of this book, alive in an English landscape, stuck in the clockwork of their own speech, and the Hours - goddesses of the seasons and the natural apportioning of Time - are the presiding figures. The persistent conditions are flux and falling, and the lines are in constant motion: approaching, from daring new angles, our experience of being human, and coalescing into poems of simple, stunning beauty. N° de réf. du vendeur LU-9781910702437
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