Through a selection of over 100 world-class drawings created by Flemish artists in the sixteenth and seventeenth centuries, this book gives an insightful and comprehensive overview into how these drawn sheets were used as part of artistic practice, within or beyond the artist’s studio.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
The author, An Van Camp, is Christopher Brown Curator of Northern European Art at the Ashmolean Museum of Art and Archaeology (University of Oxford). She has previously co-curated exhibitions on metalpoint drawings and the young Rembrandt, and has published widely on Dutch and Flemish drawings and prints. She most recently completed a research project on an online catalogue of the Ashmolean's early-modern German drawings.
Through a selection of over 100 world-class drawings created by Flemish artists in the sixteenth and seventeenth centuries, this book gives an insightful and comprehensive overview into how these drawn sheets were used as part of artistic practice, within or beyond the artist’s studio.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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