William Bell Scott's Screen A Pre-Raphaelite Romance /anglais - Couverture souple

Learmont, Emily

 
9781911054429: William Bell Scott's Screen A Pre-Raphaelite Romance /anglais

Synopsis

William Bell Scott’s screen, The King’s Quair, was commissioned by James Leathart, an important collector of Pre-Raphaelite art. The beautifully decorated folding screen took as its inspiration The King’s Quair, a 15th-century Scots poem attributed to James I of Scotland. Depicting key scenes from the king’s 18-year imprisonment in Windsor Castle, it is adorned by exquisite botanical details and gold leaf.

Split into three parts, this book reveals the history of the screen’s commission, details the remarkable imagery of the screen itself, and finally situates the screen in its historical context by explaining the fascinating personal relationships that were the backdrop to its creation, including Scott’s relationship with the artist and heiress Alice Boyd.

Drawing together the chivalric medieval tale of an imprisoned, love-struck king with the vibrancy of the Pre-Raphaelite social circles in which Scott moved, the reader is given a vivid picture of how this captivating artwork was created. Illustrated with new photography of the screen, this book is a vital new part of the story of British, as well as Scottish art.

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À propos de l?auteur

Emily Learmont is an artist, art historian and arts educator. She is an AHRC-funded Collaborative Doctoral Partnership candidate at the University of Edinburgh and the National Galleries of Scotland researching the life and work of William Bell Scott.

À propos de la quatrième de couverture

William Bell Scott’s screen, The King’s Quair, was commissioned by James Leathart, an important collector of Pre-Raphaelite art. The beautifully decorated folding screen took as its inspiration The King’s Quair, a 15th-century Scots poem attributed to James I of Scotland. Depicting key scenes from the king’s 18-year imprisonment in Windsor Castle, it is adorned by exquisite botanical details and gold leaf.

Split into three parts, this book reveals the history of the screen’s commission, details the remarkable imagery of the screen itself, and finally situates the screen in its historical context by explaining the fascinating personal relationships that were the backdrop to its creation, including Scott’s relationship with the artist and heiress Alice Boyd.

Drawing together the chivalric medieval tale of an imprisoned, love-struck king with the vibrancy of the Pre-Raphaelite social circles in which Scott moved, the reader is given a vivid picture of how this captivating artwork was created. Illustrated with new photography of the screen, this book is a vital new part of the story of British, as well as Scottish art.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.