An oblique, hard-edged novel tinged with offbeat fantasy, One Hundred Shadows is set in a slum electronics market in central Seoul - an area earmarked for demolition in a city better known for its shiny skyscrapers and slick pop videos. Here, the awkward, tentative relationship between Eungyo and Mujae, who both dropped out of formal education to work as repair-shop assistants, is made yet more uncertain by their economic circumstances, while their matter-of-fact discussion of a strange recent development - the shadows of the slum's inhabitants have started to 'rise' - leaves the reader to make up their own mind as to the nature of this shape-shifting tale.
Hwang's spare prose is illuminated by arresting images, quirky dialogue and moments of great lyricism, crafting a deeply affecting novel of perfectly calibrated emotional restraint. Known for her interest in social minorities, Hwang eschews the dreary realism USually employed forsuch issues, without her social criticism being any less keen. As well as an important contribution to contemporary working-class literature, One Hundred Shadows depicts the little-known underside of a society which can be viciously superficial, complicating the shiny, ultra-modern face which South Korea presents to the world.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Born in 1976 Hwang Jungeun is one of the bright young things of Korean literature, having published three collections of short stories and four novels to date. One Hundred Shadows (2010), her first novel, was both a critical and commercial success; its mix of oblique fantasy, hard-edge social critique, and offbeat romance garnered the Hankook Ilbo Literary Award and the Korean Booksellers' Award.
Jung Yewon is the translator of One Hundred Shadows, by Hwang Jungeun. She is also the translator of No One Writes Back by Jang Eun-jin and one of the co-translators of A Most Ambiguous Sunday and Other Stories by Jung Young Moon, both published by Dalkey Archive as part of their Library of Korean Literature series. Her translation of Jung Young Moon's Vaseline Buddha is published by Deep Vellum.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
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Paperback. Etat : New. An oblique, hard-edged novel tinged with offbeat fantasy, One Hundred Shadows is set in a slum electronics market in central Seoul - an area earmarked for demolition in a city better known for its shiny skyscrapers and slick pop videos. Here, the awkward, tentative relationship between Eun-gyo and Mujae, who both dropped out of formal education to work as repair-shop assistants, is made yet more uncertain by their economic circumstances, while their matter-of-fact discussion of a strange recent development - the shadows of the slum's inhabitants have started to 'rise' - leaves the reader to make up their own mind as to the nature of this shape-shifting tale. Hwang's spare prose is illuminated by arresting images, quirky dialogue and moments of great lyricism, crafting a deeply affecting novel of perfectly calibrated emotional restraint. Known for her interest in social minorities, Hwang eschews the dreary realism usually employed for such issues, without her social criticism being any less keen.As well as an important contribution to contemporary working-class literature, One Hundred Shadows depicts the little-known underside of a society which can be viciously superficial, complicating the shiny, ultra-modern face which South Korea presents to the world. N° de réf. du vendeur LU-9781911284024
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Paperback. Etat : new. Paperback. An oblique, hard-edged novel tinged with offbeat fantasy, One Hundred Shadows is set in a slum electronics market in central Seoul an area earmarked for demolition in a city better known for its shiny skyscrapers and slick pop videos. Here, the awkward, tentative relationship between Eungyo and Mujae, who both dropped out of formal education to work as repair-shop assistants, is made yet more uncertain by their economic circumstances, while their matter-of-fact discussion of a strange recent development the shadows of the slum's inhabitants have started to 'rise' leaves the reader to make up their own mind as to the nature of this shape-shifting tale.Hwang's spare prose is illuminated by arresting images, quirky dialogue and moments of great lyricism, crafting a deeply affecting novel of perfectly calibrated emotional restraint. Known for her interest in social minorities, Hwang eschews the dreary realism usually employed for such issues, without her social criticism being any less keen. As well as an important contribution to contemporary working-class literature, One Hundred Shadows depicts the little-known underside of a society which can be viciously superficial, complicating the shiny, ultra-modern face which South Korea presents to the world. One Hundred Shadows is an oblique, hard-edged novel tinged with offbeat fantasy, set in a slum electronics market in central Seoul earmarked for demolition. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781911284024
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