Accompanying an exhibition at the Staatliche Kunstsammlungen Dresden, this publication presents the glass swallow works Perched, created by the artist Felekşan Onar. While drawing on sources from her personal history as well as collective memory, Felekşan Onar’s works in glass deal with notions of identity, constructed narratives, historical relations and impacts of politics on society. In her recent project Perched, her story-telling in glass reflects on the Syrian refugee situation. Triggered by witnessing the helpless refugees strolling around the streets of Istanbul, after being forced to leave their homelands, Perched has been exhibited in the Pergamon Museum, Berlin, the New Jersey Visual Arts Center and the Victoria & Albert Museum, London. The work was interpreted as “a visceral expression of the fact that in spite of differences of religion, culture, and individual histories, what we all want most is to be in the place we call home,” by the art critic Lisa Morrow. A reading of Louis de Berniéres’ novel Birds Without Wings was an inspiration for Onar to create the series. Glass works, inspired by a book, create its own history over time and turn into a book again. This book marks the most comprehensive publication on Perched to date. The result here is a complementary structure addressing the aesthetic and political concepts inherent in Felekşan Onar’s art. Contiguity and fragility are the core of this project and provides the form for this book. Newly commissioned essays initiate sections that engage particular aspects of Onar’s work. Renowned author Louis de Berniéres contributes a short story; Prof. Dr. Stefan Weber, Mariam Rosser-Owen and Stefanie Bach propose a reading of Perched through the exhibitions in the Pergamon Museum, the Victoria & Albert Museum and the Staatliche Kunstsammlungen Dresden; and Nadania Idriss questions how is art supposed to foster a culture of peace and muses on being perched. Producing glass art, to use Onar’s own words, “not only expresses my past and present, but also my anxieties and expectations for future. Through glass, I speak, breathe and live.” This is the story of birds standing together in different places with their various colors and holding a vital crisis in their silence, breath and life.
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Hardcover. Etat : new. Hardcover. This exhibition companion explores the aesthetic and political concepts inherent in Feleksan Onar's glass artworks. Onar's work draws on her own personal history as well as collective memory, dealing with notions of identity, constructed narratives, historical relations, and the effects of politics on society. Her newest exhibition evokes the Syrian refugee crisis through twenty-seven delicate glass swallows. The birds-perched in a public space, unable to move-are a metaphor for the millions of refugees with no home to return to. Art critic Lisa Morrow described the work as "a visceral expression of the fact that in spite of differences of religion, culture, and individual histories, what we all want most is to be in the place we call home." Alongside eighty full-color reproductions, the text-including a short story by renowned writer Louis de Bernieres, whose novel Birds Without Wings provided inspiration for Perched-analyzes different aspects of Onar's work and initiates vital discussion about navigating social calamity through art. Accompanying an exhibition at the Staatliche Kunstsammlungen Dresden, this publication presents the glass swallow works Perched, created by the artist Feleksan Onar. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781911300984
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Vendeur : Rarewaves USA, HEBRON, KY, Etats-Unis
Hardback. Etat : New. This exhibition companion explores the aesthetic and political concepts inherent in Feleksan Onar's glass artworks. Onar's work draws on her own personal history as well as collective memory, dealing with notions of identity, constructed narratives, historical relations, and the effects of politics on society. Her newest exhibition evokes the Syrian refugee crisis through twenty-seven delicate glass swallows. The birds-perched in a public space, unable to move-are a metaphor for the millions of refugees with no home to return to. Art critic Lisa Morrow described the work as "a visceral expression of the fact that in spite of differences of religion, culture, and individual histories, what we all want most is to be in the place we call home." Alongside eighty full-color reproductions, the text-including a short story by renowned writer Louis de Berniéres, whose novel Birds Without Wings provided inspiration for Perched-analyzes different aspects of Onar's work and initiates vital discussion about navigating social calamity through art. N° de réf. du vendeur LU-9781911300984
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