Under natural circumstances, the average woman would get pregnant about 15 times in her life, resulting in ten births. Seven of those babies would survive childhood. For centuries, people have searched for ways to delay or terminate pregnancy. Today, safe and efficient means of abortion finally exist, yet women around the world continue to use ancient, illegal or risky home methods: Every year, 47,000 women die from botched abortions. Across many countries and religions, millions of women are still denied access to abortion by the law or by social coercion. They are forced to carry pregnancies to term against their will, even minors and rape victims, and for many the pregnancy is not viable or poses a health risk. But all can be criminalized for trying to abort. 'On Abortion' is the first part of Laia Abril's new long-term project, A History of Misogyny. Abril documents and conceptualizes the dangers and damage caused by women's lack of legal, safe and free access to abortion. She draws on the past to highlight the long, continuing erosion of women's reproductive rights through to the present-day, weaving together questions of ethics and morality, to reveal a staggering series of social triggers, stigmas, and taboos around abortion that have been largely invisible until now. Under 'natural' circumstances, the average woman would get pregnant about 15 times in her life, resulting in ten births. Seven of those babies would survive childhood. For centuries, people have searched for ways to delay or terminate pregnancy. Today, safe and efficient means of abortion finally exist, yet women around the world continue to use ancient, illegal or risky home methods: Every year, 47,000 women die from botched abortions. Across many countries and religions, millions of women are still denied access to abortion by the law or by social coercion. They are forced to carry pregnancies to term against their will, even minors and rape victims, and for many the pregnancy is not viable or poses a health risk. But all can be criminalized for trying to abort.
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Laia Abril is a visual artist, photographer and bookmaker from Barcelona. After graduating in Journalism, she enrolled at FABRICA - the Benneton artist residency; where she worked at COLORS Magazine as a creative editor and staff photographer for 5 years. Her projects have been shown throughout Europe, in the United States, and in China and have been published in media worldwide. Her work is held in many private and public collections. Her first book with Dewi Lewis Publishing, the critically acclaimed 'The Epilogue' (2014), was shortlisted for the Paris Photo-Aperture First Book Award, Kassel PhotoBook Festival and the Photo Espana Best Book Award.
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Vendeur : ANARTIST, New York, NY, Etats-Unis
Hardcover without dustjacket as issued and protective plastic overwrap; unpaginated; very good condition; except small hole punch to lower left corner of rear cover; no internal marks. Foreign shipping may be extra. N° de réf. du vendeur OnAbDe40
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Vendeur : Studio Bibliografico Marini, ROMA, RM, Italie
hardcover. Etat : Perfetto (Mint). Prima edizione (First Edition). And the repercussions of lack of access. A History of Misoginy. Chapter One. Fotografie, testi e ricerca di Laia Abril Design: Ramon Pez e Laia Abril. Cm 24,5x19. pp. 196. . Perfetto (Mint). . Prima edizione (First Edition). Fotolibri Donne [LEDERMAN, 2018] LEDERMAN, Russet; YATSKEVICH, Olga & Michael LANG, How We See: Photobooks by Women. 10x10 Photobooks, 2018. In circostanze "naturali", la donna media rimarrebbe incinta circa 15 volte nella sua vita, provocando dieci nascite. Sette di quei bambini sopravviverebbero oltre l'infanzia. Per secoli, le persone hanno cercato modi per ritardare o interrompere la gravidanza. Oggi esistono mezzi sicuri ed efficaci di aborto, ma molte donne nel mondo continuano ad usare metodi domestici antichi, illegali o rischiosi: ogni anno 47.000 donne muoiono per aborti falliti.In molti paesi e religioni, a milioni di donne è ancora negato l'accesso all'aborto dalla legge o dalla coercizione sociale. Sono costrette a portare a termine gravidanze contro la loro volontà, anche minori e vittime di stupro.On Abortion è la prima parte del nuovo progetto a lungo termine di Laia Abril, A History of Misogyny. Il lavoro è stato esposto per la prima volta a Les Rencontres ad Arles nel 2016 e premiato al Prix de la Photo Madame Figaro e il Fotopress Grant. Abril documenta e concettualizza i pericoli e i danni causati dalla mancanza di accesso legale, sicuro e gratuito all'aborto. Attinge al passato per evidenziare la lunga e continua erosione dei diritti riproduttivi delle donne fino ai giorni nostri, intrecciando questioni di etica e moralità, per rivelare una serie sconcertante di fattori scatenanti, stimmi e tabù sull'aborto.Laia Abril è un'artista, fotografa e bookmaker di Barcellona. Dopo essersi laureata in giornalismo, si è iscritta a FABRICA - la residenza artistica di Benetton; dove ha lavorato presso COLORS Magazine come redattore creativa e fotografa dello staff per 5 anni. I suoi progetti sono stati mostrati in tutta Europa, negli Stati Uniti e in Cina e sono stati pubblicati in tutto il mondo. Il suo lavoro si trova in molte collezioni private e pubbliche. Il suo primo libro con Dewi Lewis Publishing, acclamato dalla critica The Epilogue (2014), è stato finalista per il Paris Book-Aperture First Book Award, il Kassel PhotoBook Festival e il Photo España Best Book Award. Book. N° de réf. du vendeur bc_215096
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