For many, Close Encounters of the Third Kind (CE3K) is not so much a movie as a religious experience. On its release in 1977, CE3K virtually redefined the science fiction film, shifting it away from spaceships, laser guns and bug-eyed monsters into a modified form of science fiction that John Wyndham once called logical fantasy . What would it be like if extra-terrestrials made contact with people on Earth? How would it feel? Like 2001: A Space Odyssey (1968) (Steven Spielberg s primary inspiration) CE3K is concerned with mankind s evolution towards the stars, towards a state of transcendence; but Spielberg s vision hinges not so much on cool scientific intellect being the key to our next stage of evolution, as on the necessary development of emotional intelligence: to that end we must regain our childlike curiosity for what lies beyond the skies, we must recover our capacity to experience wonder. Intensity of emotion is inherent to the film s meaning, and the aim of this book is to explore this in detail. Along the way it delves into the film s production history; explores Spielberg s remarkable cinematic realisation of the film (including a comparison study of the three different release versions) and considers in detail how CE3K fits into the Spielberg oeuvre.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Jon Towlson is a journalist and film critic. He has written for Starburst, Paracinema, Exquisite Terror, Irish Journal of Gothic and Horror Studies, Shadowland Magazine, Bright Lights Film Journal and Digital Film-Maker Magazine. Jon is the author of Subversive Horror Cinema (McFarland, 2014).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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