Rollerball, the Canadian-born director and producer Norman Jewison’s 1975 vision of a future dominated by anonymous corporations and their executive elite, in which all individual effort and aggressive emotions are subsumed into a horrifically violent global sport, remains critically overlooked. What little has been written deals mainly with its place within the renaissance of Anglo-American science fiction cinema in the 1970s, or focuses on the elaborately shot, still visceral to watch, game sequences, so realistic they briefly gave rise to speculation Rollerball may become an actual sport. Drawing on numerous sources, including little examined documents in the archive of the film’s screenwriter William Harrison, Andrew Nette examines the many dimensions of Rollerball’s making and reception: the way it simultaneously exhibits the aesthetics and narrative tropes of mainstream action and art-house cinema; the elaborate and painstaking process of world creation undertaken by Jewison and Harrison; and the cultural forces and debates that influenced them, including the increasing corporate power and growing violence in Western society in late 1960s and early 1970s. Nette shows how a film that was derided by many critics for its violence works as a sophisticated and disturbing portrayal of a dystopian future that anticipates numerous contemporary concerns, including "fake news" and declining literary and historical memory. The book includes an interview with Jewison on Rollerball’s influences, making, and reception.
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Andrew Nette is the coeditor of Girl Gangs, Biker Boys, and Real Cool Cats: Pulp Fiction and Youth Culture, 1950 to 1980 (2017). He was a co-recipient of the Australian Film Institute Research Fellowship, examining depictions of crime and policing in early Australian television crime drama. He has written on film for a wide range of publications and organizations, including the Los Angeles Review of Books, Sight and Sound, the British Film Institute, and the Australian Centre for the Moving Image.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. Rollerball, the Canadian-born director and producer Norman Jewisons 1975 vision of a future dominated by anonymous corporations and their executive elite, in which all individual effort and aggressive emotions are subsumed into a horrifically violent global sport, remains critically overlooked. What little has been written deals mainly with its place within the renaissance of Anglo-American science fiction cinema in the 1970s, or focuses on the elaborately shot, still visceral to watch, game sequences, so realistic they briefly gave rise to speculation Rollerball may become an actual sport.Drawing on numerous sources, including little examined documents in the archive of the films screenwriter William Harrison, Andrew Nette examines the many dimensions of Rollerballs making and reception: the way it simultaneously exhibits the aesthetics and narrative tropes of mainstream action and art-house cinema; the elaborate and painstaking process of world creation undertaken by Jewison and Harrison; and the cultural forces and debates that influenced them, including the increasing corporate power and growing violence in Western society in late 1960s and early 1970s. Nette shows how a film that was derided by many critics for its violence works as a sophisticated and disturbing portrayal of a dystopian future that anticipates numerous contemporary concerns, including "fake news" and declining literary and historical memory. The book includes an interview with Jewison on Rollerballs influences, making, and reception. Rollerball, Norman Jewisons 1975 vision of a future dominated by anonymous corporations in which all individual effort is subsumed into a horrifically violent sport, remains critically overlooked. Andrew Nette examines Rollerballs making and reception to show how it anticipates numerous contemporary concerns. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781911325666
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Etat : New. Über den AutorAndrew Nette is the coeditor of Girl Gangs, Biker Boys, and Real Cool Cats: Pulp Fiction and Youth Culture, 1950 to 1980 (2017). He was a co-recipient of the Australian Film Institute Research Fellowship, examining dep. N° de réf. du vendeur 905769992
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Taschenbuch. Etat : Neu. Neuware - Rollerball, Norman Jewison's 1975 vision of a future dominated by anonymous corporations in which all individual effort is subsumed into a horrifically violent sport, remains critically overlooked. Andrew Nette examines Rollerball's making and reception to show how it anticipates numerous contemporary concerns. N° de réf. du vendeur 9781911325666
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