Articles liés à Who Runs the Artworld: Money, Power and Ethics

Who Runs the Artworld: Money, Power and Ethics - Couverture souple

 
9781911450139: Who Runs the Artworld: Money, Power and Ethics

Synopsis

Who Runs the Artworld: Money, Power and Ethics examines the economics and mythologies of today s global artworld. It unmasks the complex web of relationships that now exist among high-profile curators, collectors, museum trustees and corporate sponsors, and the historic and ongoing complicity between the art and money markets. The book examines alternative models being deployed by curators and artists influenced by the 2008 global financial crisis and the international socio-political Occupy movement, with a particular focus on a renewed activism by artists. This activism is coupled with an institutional and social critique led by groups such as Liberate Tate, the Precarious Workers Brigade and Strike Debt.

Who Runs the Artworld: Money, Power and Ethics brings together a diverse range of thinkers who draw on the disciplines of art theory, social sciences and cultural economics, and curatorship and the lived experience of artists. The contributors to this book are, in their respective contexts, working at the forefront of these compelling issues.

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À propos de l'auteur

Professor Brad Buckley is an artist, urbanist, activist and Professorial Fellow at Victorian College of the Arts, Faculty of the VCA and MCM, the University of Melbourne. His work, which has been shown internationally for over twenty-fi ve years, operates at the intersection of installation, theatre and performance, investigates questions of cultural control, democracy, freedom and social responsibility.

Associate Professor John Conomos is an artist, critic and writer, and Associate Professor and Principal Fellow at Victorian College of the Arts, Faculty of the VCA and MCM, the University of Melbourne. Conomos has exhibited extensively both locally and internationally across a variety of media: video art, new media, photo-performance, installations and radiophonic art. He is a prolific contributor to art, fi lm and media journals and a frequent keynote speaker and participant in conferences, fora and seminars

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