Kantorowicz's 1957 study of 1,200 years of monarchy has had a profound affect on the way academics think about the study of history. While many historians mocked the medieval concept that a king could be both a person and the symbol of a country, Kantorowicz took fresh looks at the context of medieval philosophy and politics to explain how this duality safeguarded power and ensured political stability. He went on to identify how monarchies used religious imagery and ideas to enhance and extend power and form states.
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Dr Simon Thomson teaches at the Ruhr-Universität Bochum. He received his doctorate in Medieval Literature from University College London and is the Editor, with M.D.J. Brintley, of Sensory Perception in the Medieval World: Manuscripts, Texts and Other Material Matters.
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Paperback. Etat : New. Few historians trace grand themes across many centuries and places, but Ernst Kantorowicz's great work on the symbolic powers of kingship is a fine example of what can happen when they do. The King's Two Bodies is at once a superb example of the critical thinking skill of evaluation - assessing huge quantities of evidence, both written and visual, and drawing sound comparative conclusions from it - and of creative thinking; the work connects art history, literature, legal records and historical documents together in innovative and revealing ways across more than 800 years of history. Kantorowicz's key conclusions (that history is at root about ideas, that these ideas power institutions, and that both are commonly expressed and understood through symbols) have had a profound impact on several different disciplines, and even underpin many works of popular fiction - not least The DaVinci Code. And they were all made possible by fresh evaluation of evidence that other historians had ignored, or could not see the significance of. N° de réf. du vendeur LU-9781912127115
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