What Comes to My Lips is the first monograph on the artist Ambreen Butt. Trained in the thousand-year tradition of Indo-Persian miniature painting and contemporary Western art and theory, Butt's studio practice circumvents history, tradition and contemporaneity, creating a multifaceted project that explores civil liberties and rights, mutual responsibilities and complex geopolitical forces.
Illuminated with images of the artist's paintings, collaged works on paper and large-scale installations from the past three decades, this in-depth book features essays by curator/writer Sara Raza and artist/critic Quddus Mirza. Raza examines Butt's practice through the thematic lens of the sciences of Islam's Golden Age (7th-14th century), proposing a bridge that connects art, history and cosmology. In his essay, Mirza places the conventions of the artist's work in relation to longer historical narratives and traditional gendered roles across the spectrums of time and locality.An intimate archive of Butt's technically rich, aesthetically delightful work, What Comes to My Lips invites the reader to enter the symbolic landscape of Butt's oeuvre and discover the hidden, unseen and unrecorded aspects that shimmer beneath the surface of even the most fraught realities.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Using techniques rooted firmly in tradition, Ambreen Butt (b. 1969 Lahore, Pakistan) creates works that explore the complexities of contemporary global politics, female identity and living as a Muslim in the United States. Employing actions including staining, cutting, ripping and tacking with repetitive urgency, Butt's painted and collaged works on paper and large-scale resin installations espouse the radiant aesthetics of sacred geometries and Islamic ornamentation.
Butt's work has featured in solo exhibitions at institutions including the Dallas Contemporary, TX; Institute of Contemporary Art, Boston, MA; Isabella Stewart Gardner Museum, Boston, MA; Museum of Fine Arts, Boston, MA; National Museum of Women in the Arts, Washington, DC; and Worcester Art Museum, Worcester, MA. Butt has been the recipient of numerous awards including the Brother Thomas Fellowship from the Boston Foundation; the Maud Morgan Prize from the Museum of Fine Arts, Boston; a Joan Mitchell Foundation grant; and a grant from the Canada Council for the Arts, Ontario. In 1999, she was the first recipient of the James and Audrey Foster Prize from the Institute of Contemporary Art in Boston in addition to being an artist-in-residence at the Isabella Stewart Gardner Museum that same year. Her work is collected by public institutions including The Museum of Fine Arts, Boston; the Institute of Contemporary Art, Boston; the Library of Congress, Washington DC; Minneapolis Institute of Art, Minnesota; National Museum of Women in the Arts, Washington DC; the Museum of Fine Arts, Houston; the Worcester Art Museum, Massachusetts; the Hood Museum at Dartmouth College, New Hampshire; the DeCordova Sculpture Park and Museum, Massachusetts; and the US Art in Embassies. Butt lives and works in Southlake, Texas. She received her BFA in traditional Indian and Persian miniature painting from the National College of Arts in Lahore. She earned her MFA in painting in 1997 from the Massachusetts College of Art and Design in Boston.Using techniques rooted firmly in tradition, Ambreen Butt (b. 1969 Lahore, Pakistan) creates works that explore the complexities of contemporary global politics, female identity and living as a Muslim in the United States. Employing actions including staining, cutting, ripping and tacking with repetitive urgency, Butt’s painted and collaged works on paper and large-scale resin installations espouse the radiant aesthetics of sacred geometries and Islamic ornamentation.
Butt’s work has featured in solo exhibitions at institutions including the Dallas Contemporary, TX; Institute of Contemporary Art, Boston, MA; Isabella Stewart Gardner Museum, Boston, MA; Museum of Fine Arts, Boston, MA; National Museum of Women in the Arts, Washington, DC; and Worcester Art Museum, Worcester, MA.
Butt has been the recipient of numerous awards including the Brother Thomas Fellowship from the Boston Foundation; the Maud Morgan Prize from the Museum of Fine Arts, Boston; a Joan Mitchell Foundation grant; and a grant from the Canada Council for the Arts, Ontario. In 1999, she was the first recipient of the James and Audrey Foster Prize from the Institute of Contemporary Art in Boston in addition to being an artist-in-residence at the Isabella Stewart Gardner Museum that same year.
Her work is collected by public institutions including The Museum of Fine Arts, Boston; the Institute of Contemporary Art, Boston; the Library of Congress, Washington DC; Minneapolis Institute of Art, Minnesota; National Museum of Women in the Arts, Washington DC; the Museum of Fine Arts, Houston; the Worcester Art Museum, Massachusetts; the Hood Museum at Dartmouth College, New Hampshire; the DeCordova Sculpture Park and Museum, Massachusetts; and the US Art in Embassies.
Butt lives and works in Southlake, Texas. She received her BFA in traditional Indian and Persian miniature painting from the National College of Arts in Lahore. She earned her MFA in painting in 1997 from the Massachusetts College of Art and Design in Boston.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : new. Hardcover. What Comes to My Lipsis the first monograph on the artist Ambreen Butt. Trained in the thousand-year tradition of Indo-Persian miniature painting and contemporary Western art and theory, Butt's studio practice circumvents history, tradition and contemporaneity, creating a multifaceted project that explores civil liberties and rights, mutual responsibilities and complex geopolitical forces.Illuminated with images of the artist's paintings, collaged works on paper and large-scale installations from the past three decades, this in-depth book features essays by curator/writer Sara Raza and artist/critic Quddus Mirza. Raza examines Butt's practice through the thematic lens of the sciences of Islam's Golden Age (7th14th century), proposing a bridge that connects art, history and cosmology. In his essay, Mirza places the conventions of the artist's work in relation to longer historical narratives and traditional gendered roles across the spectrums of time and locality.An intimate archive of Butt's technically rich, aesthetically delightful work,What Comes to My Lipsinvites the reader to enter the symbolic landscape of Butt's oeuvre and discover the hidden, unseen and unrecorded aspects that shimmer beneath the surface of even the most fraught realities. The first monograph on the artist Ambreen Butt, this book features paintings,collaged works and large-scale installations from the past three decades, exploring civil liberties and rights, mutual responsibilities and complex geopolitical forces. It includes texts by curator/writer Sara Raza and artist/critic Quddus Mirza. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781912165513
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Hardback. Etat : New. What Comes to My Lips is the first monograph on the artist Ambreen Butt. Trained in the thousand-year tradition of Indo-Persian miniature painting and contemporary Western art and theory, Butt's studio practice circumvents history, tradition and contemporaneity, creating a multifaceted project that explores civil liberties and rights, mutual responsibilities and complex geopolitical forces.Illuminated with images of the artist's paintings, collaged works on paper and large-scale installations from the past three decades, this in-depth book features essays by curator/writer Sara Raza and artist/critic Quddus Mirza. Raza examines Butt's practice through the thematic lens of the sciences of Islam's Golden Age (7th-14th century), proposing a bridge that connects art, history and cosmology. In his essay, Mirza places the conventions of the artist's work in relation to longer historical narratives and traditional gendered roles across the spectrums of time and locality.An intimate archive of Butt's technically rich, aesthetically delightful work, What Comes to My Lips invites the reader to enter the symbolic landscape of Butt's oeuvre and discover the hidden, unseen and unrecorded aspects that shimmer beneath the surface of even the most fraught realities. N° de réf. du vendeur LU-9781912165513
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