Articles liés à Picasso and Paper

Picasso and Paper - Couverture rigide

Dumas, Ann; Philippot, Emilia; Robinson, William H.

 
9781912520176: Picasso and Paper
Couverture rigide
ISBN 10 : 1912520176 ISBN 13 : 9781912520176
Editeur : Royal Academy of Arts, 2020

Synopsis

Pablo Picasso's often experimental and at times revolutionary use of paper is the subject of this major study. Picasso's artistic output is astonishing in its ambition and variety. This handsome new publication examines a particular aspect of his legendary capacity for invention: his imaginative and original use of paper.

He used it as a support for autonomous works, including etchings, prints and drawings, as well as for his papier-collé experiments of the 1910s and his revolutionary three-dimensional 'constructions', made of cardboard, paper and string. Sometimes, his use of paper was simply determined by circumstance: in occupied Paris, where art supplies were hard to come by, he ripped up paper tablecloths to make works of art. And, of course, his works on paper comprise the preparatory stages of some of his very greatest paintings, among them Les Demoiselles d'Avignon (1907) and Guernica (1937).

With reproductions of more than 300 works of art and additional texts by Violette Andres, Stephen Coppel, Emmanuelle Hincelin, Christopher Lloyd, Johan Popelard and Claustre Rafart Planas, this sumptuous study reveals the myriad ways in which Picasso's genius seized the potential of paper at different stages throughout his career.

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

À propos de l'auteur

Ann Dumas is Curator at the Royal Academy of Arts, London. Emmanuelle Hincelin is a paper conservator. Christopher Lloyd CVO is former Surveyor of The Queen's Pictures. Emilia Philippot is Curator at the Musée national Picasso-Paris. Bill Robinson is Senior Curator of Modern European Painting and Sculpture at the Cleveland Museum of Art. Stephen Coppel is Curator of the Modern Collection, Department of Prints and Drawings, at the British Museum. Violette Andres is responsible for digitisation and photographic collections at the Musée Picasso, Paris

À propos de la quatrième de couverture

Pablo Picasso's often experimental and at times revolutionary use of paper is the subject of this major study. Picasso's artistic output is astonishing in its ambition and variety. This handsome new publication examines a particular aspect of his legendary capacity for invention: his imaginative and original use of paper.

He used it as a support for autonomous works, including etchings, prints and drawings, as well as for his papier-collé experiments of the 1910s and his revolutionary three-dimensional 'constructions', made of cardboard, paper and string. Sometimes, his use of paper was simply determined by circumstance: in occupied Paris, where art supplies were hard to come by, he ripped up paper tablecloths to make works of art. And, of course, his works on paper comprise the preparatory stages of some of his very greatest paintings, among them Les Demoiselles d'Avignon (1907) and Guernica (1937).

With reproductions of more than 300 works of art and additional texts by Violette Andres, Stephen Coppel, Emmanuelle Hincelin, Christopher Lloyd, Johan Popelard and Claustre Rafart Planas, this sumptuous study reveals the myriad ways in which Picasso's genius seized the potential of paper at different stages throughout his career.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

Éditeur
Royal Academy of Arts
Date d'édition
2020
Langue
anglais
ISBN 10 
1912520176
ISBN 13 
9781912520176
Reliure
Relié
Nombre de pages
328
Coordonnées du fabricant
non disponible
Personne responsable
gpsr@libri.de
gpsr@libri.de

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