STOP - Couverture souple

Kennard, Peter

Couverture souple

ISBN 10 : 1912528665 ISBN 13 : 9781912528660

Editeur : MuseumsEtc, 2026

Synopsis

In 1968, amid the anti-Vietnam War demonstrations in London and the global upheavals that followed, Peter Kennard turned from painting to photomontage in search of a more direct political language. STOP emerged from that moment.

Working with images drawn from newspapers and magazines ― civil rights marchers, bombed landscapes, military parades, protest crowds ― Kennard re-photographed, layered, scratched and overlaid them with autographic marks. The result is neither documentary nor illustration, but a sustained visual argument. Across its pages, production and destruction collapse into one field: factory and battlefield, crowd and target, machine and flesh.

This is an entirely visual book, yet it asks to be read. Images recur and fracture. Blots, scratches and stencilled marks disrupt photographic realism, breaking pictures down to the minimum signs of human presence in struggle. The viewer is not offered explanation or consolation. Instead, the work demands active engagement ― a recognition of the systems that organise violence as routine and normal.

First conceived in the wake of 1968 and developed over many years, drawing on struggles in Vietnam, South Africa, Northern Ireland, Chile, Palestine and elsewhere, STOP remains disturbingly current. It does not present war as aberration but as method; not peace as resolution but as managed inequality.

The book’s title is neither slogan nor sentiment. It is a demand made in full knowledge of the apparatus it confronts ― and of what it would take, materially and collectively, to bring it to an end.

A propos du livre

À propos de l'auteur

Peter Kennard (b. 1949) is one of Britain’s most influential political artists and a pioneer of contemporary photomontage. Since the late 1960s his work has shaped the visual culture of protest, addressing war, nuclear weapons, state violence and corporate power. His images have circulated widely beyond the gallery ― in newspapers, posters and campaigns ― and are held in major public collections throughout the world. 

A long-time Professor of Political Art at the Royal College of Art, Kennard has consistently sought new visual languages capable of confronting power. 

Détails de l'édition

• Éditeur: MuseumsEtc
• Date d'édition: 2026
• Langue: anglais
• ISBN 10: 1912528665
• ISBN 13: 9781912528660
• Reliure: Broché
• Nombre de pages: 164
• Coordonnées du fabricant: non disponible
• Personne responsable: non disponible