The international crash of 1720 long served as a touchstone for behavioral economists who perceive it as a gateway to the boom-and-bust cycles of the modern world. Perhaps not surprisingly, art history has contributed relatively little to our understanding of the significance of 1720. This book aims to redress this imbalance via a focus on the depiction of the first international financial crisis following the 1720 collapse of stock market bubbles in England, France, and the Netherlands. Its most important visual source, Het groote tafereel der dwaasheid ('The Great Mirror of Folly'), is a series of approximately seventy-five bawdy, tragicomic engravings satirizing the crisis and its catastrophic effects. The visual sources of the series are also explored, including prints related to the earlier 'tulip mania' bubble, as well as related materials including propaganda and satirical pamphlets, letters, coins, and paper currency. Key themes or motifs that recur in the Tafereel prints, include the New World and colonial trade; mass illness; paper and its association with insubstantiality, illusion and trickery; debauchery; and the carnivalesque.
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Vendeur : ISD LLC, Bristol, CT, Etats-Unis
hardcover. Etat : New. N° de réf. du vendeur 1439031
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Vendeur : Strand Book Store, ABAA, New York, NY, Etats-Unis
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Vendeur : The Old Print Shop, Inc., New York, NY, Etats-Unis
Hardcover. Etat : As New. By Nina L. Dubin, Meredith Martin and Madeleine C. Viljoen. 157 pages profusely illustrated. Tells the story shown in period caricatures and images of the 1720 crash, affecting most of Europe. Hardcover, decorative cover boards. In near perfect condition. N° de réf. du vendeur 001132
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 42497645
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Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Hardcover. Etat : VG. White blue and colorfully illustrated boards with blue, red and white lettering; 157 pp.; richly illustrated, chiefly in color. This book tells two parallel stories: one of the spectacular rise and fall of the world's first bubble economy, and another of the enterprising art industry that chronicled its collapse. The Mississippi and South Sea Bubbles, spawning the invention of French banknotes as well as joint-stock companies built on fantasies of New World trade, imposed on everyday Europeans a crash course in new financial products. In turn, a bubbling print market relentlessly caricatured the meltdown of 1720, offering viewers an entertaining primer on the otherwise bewildering realities of modern economic life. Such satirical works--most notably a Dutch compendium titled 'The Great Mirror of Folly' ('Het groote tafereel der dwaasheid')--helped to demystify the disaster by deploying familiar theatrical characters and tragic-comic motifs. Likening the speculative mania to an infectious disease, and spoofing the 'herd behavior' of a money-crazed public, its prints portrayed malevolent traders, hoodwinked investors, and a chorus of heroes and villains both real and legendary, from the rakish financier John Law to the foolish Harlequin to the goddess Fortuna. Three hundred years later, our current moment offers a uniquely fitting vantage point from which to reconsider the significance of the bubbles and of the artworks that channeled the fears and desires they unleashed. -- Rear Cover. N° de réf. du vendeur 201219
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Vendeur : Greenworld Books, Arlington, TX, Etats-Unis
Etat : good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy. N° de réf. du vendeur GWV.1912554518.G
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : New. N° de réf. du vendeur 42497645-n
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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Hardcover. Etat : new. Hardcover. The international crash of 1720 long served as a touchstone for behavioral economists who perceive it as a gateway to the boom-and-bust cycles of the modern world. Perhaps not surprisingly, art history has contributed relatively little to our understanding of the significance of 1720. This book aims to redress this imbalance via a focus on the depiction of the first international financial crisis following the 1720 collapse of stock market bubbles in England, France, and the Netherlands. Its most important visual source, Het groote tafereel der dwaasheid ('The Great Mirror of Folly'), is a series of approximately seventy-five bawdy, tragicomic engravings satirizing the crisis and its catastrophic effects. The visual sources of the series are also explored, including prints related to the earlier 'tulip mania' bubble, as well as related materials including propaganda and satirical pamphlets, letters, coins, and paper currency. Key themes or motifs that recur in the Tafereel prints, include the New World and colonial trade; mass illness; paper and its association with insubstantiality, illusion and trickery; debauchery; and the carnivalesque. This book focuses on the depiction of the first international financial crisis following the 1720 collapse of stock market bubbles in England, France and the Netherlands. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781912554515
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Hardback. Etat : New. N° de réf. du vendeur LU-9781912554515
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Hardcover. Etat : Brand New. 157 pages. 9.50x11.50x0.75 inches. In Stock. N° de réf. du vendeur __1912554518
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