Articles liés à Homo Textor: Weaving As (Technical) Mode of Existence
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Homo Textor: Weaving As (Technical) Mode of Existence
Vendeur : California Books, Miami, FL, Etats-Unis
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Etat : New. N° de réf. du vendeur I-9781912729425
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EUR 34,83
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Homo Textor: Weaving As (Technical) Mode of Existence (Paperback or Softback)
Edité par
Mattering Press 6/29/2026, 2026
ISBN 10 : 1912729423
ISBN 13 : 9781912729425
Neuf
Paperback or Softback
Vendeur : BargainBookStores, Grand Rapids, MI, Etats-Unis
Évaluation du vendeur 5 sur 5 étoiles
Paperback or Softback. Etat : New. Homo Textor: Weaving As (Technical) Mode of Existence. Book. N° de réf. du vendeur BBS-9781912729425
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Homo Textor
Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
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PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur L2-9781912729425
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EUR 38,03
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Homo Textor
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
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PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur L2-9781912729425
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EUR 33,80
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Homo Textor (Paperback)
impression à la demandeVendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Évaluation du vendeur 5 sur 5 étoiles
Paperback. Etat : new. Paperback. Homo Textor aims to exemplify how the (technical) mode of existence of weaving is able to provide concepts that help to rethink Homo faber and the way the Moderns (as described by Latour) talk about technology. The characteristic weaving mode is defined as histomorphism: a generative process where intelligible forms grow out of the loom-weaver-threads system contradicting the hylomorphic schema where an actor gives form to matter. As the contributions in the book show, histomorphism, is not a technical mode restricted to the craft of weaving, but a concept providing a complex type of order that humans/actors identify in social, formal, cosmological, digital, and philosophical dimensions. Positioned in the possibilities opened up by the 'Inquiry into Modes of Existence' project of Bruno Latour and the idea of Tim Ingold that making should be seen as a modality of weaving, the book provides case studies, performances, technical tools, speculative analyses, ethnographic studies, and philosophical revealing something about weaving that remains invisible if presented according to common disciplinary boundaries.The contributions form clusters and socialize around challenges of referencing, terminology, technology, and form (part I), explorations of patterns as knowledge of order (part II), and stories about missing and seizing textile opportunities (part III), following an introductory chapter on Homo textor. The first part address established paradigms of production and making, such as the superimposition of form to matter (hylemorphism), the opposition of (extrinsic) structure and (intrinsic) substance, and the search for exact correspondences between terms and objects to which weaving poses a radical challenge. The papers in part II look at what weavers do and know and how this knowledge travels to other types of objects and beings as well as their relation to each other, the world in which they live, and how it is ordered. Part III brings together chapters demonstrating that considering seriously not only the textile object as outcome of a textile production process, but also the production process itself with its social relations and movements can take us to new perspectives not only in art, but also in coding and the development of new technologies Homo Textor aims to exemplify how the (technical) mode of existence of weaving is able to provide concepts that help to rethink Homo faber and the way the Moderns (as described by Latour) talk about technology. The characteristic weaving mode is defined as histomo This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781912729425
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EUR 40,23
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Expédition nationale : Etats-Unis
Quantité disponible : 1 disponible(s)
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Homo Textor (Paperback)
impression à la demandeVendeur : AussieBookSeller, Truganina, VIC, Australie
Évaluation du vendeur 5 sur 5 étoiles
Paperback. Etat : new. Paperback. Homo Textor aims to exemplify how the (technical) mode of existence of weaving is able to provide concepts that help to rethink Homo faber and the way the Moderns (as described by Latour) talk about technology. The characteristic weaving mode is defined as histomorphism: a generative process where intelligible forms grow out of the loom-weaver-threads system contradicting the hylomorphic schema where an actor gives form to matter. As the contributions in the book show, histomorphism, is not a technical mode restricted to the craft of weaving, but a concept providing a complex type of order that humans/actors identify in social, formal, cosmological, digital, and philosophical dimensions. Positioned in the possibilities opened up by the 'Inquiry into Modes of Existence' project of Bruno Latour and the idea of Tim Ingold that making should be seen as a modality of weaving, the book provides case studies, performances, technical tools, speculative analyses, ethnographic studies, and philosophical revealing something about weaving that remains invisible if presented according to common disciplinary boundaries.The contributions form clusters and socialize around challenges of referencing, terminology, technology, and form (part I), explorations of patterns as knowledge of order (part II), and stories about missing and seizing textile opportunities (part III), following an introductory chapter on Homo textor. The first part address established paradigms of production and making, such as the superimposition of form to matter (hylemorphism), the opposition of (extrinsic) structure and (intrinsic) substance, and the search for exact correspondences between terms and objects to which weaving poses a radical challenge. The papers in part II look at what weavers do and know and how this knowledge travels to other types of objects and beings as well as their relation to each other, the world in which they live, and how it is ordered. Part III brings together chapters demonstrating that considering seriously not only the textile object as outcome of a textile production process, but also the production process itself with its social relations and movements can take us to new perspectives not only in art, but also in coding and the development of new technologies Homo Textor aims to exemplify how the (technical) mode of existence of weaving is able to provide concepts that help to rethink Homo faber and the way the Moderns (as described by Latour) talk about technology. The characteristic weaving mode is defined as histomo This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9781912729425
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EUR 45,20
Expédition à EUR 32,08
Expédition depuis Australie vers Etats-Unis
Expédition depuis Australie vers Etats-Unis
Quantité disponible : 1 disponible(s)
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Homo Textor (Paperback)
impression à la demandeVendeur : CitiRetail, Stevenage, Royaume-Uni
Évaluation du vendeur 5 sur 5 étoiles
Paperback. Etat : new. Paperback. Homo Textor aims to exemplify how the (technical) mode of existence of weaving is able to provide concepts that help to rethink Homo faber and the way the Moderns (as described by Latour) talk about technology. The characteristic weaving mode is defined as histomorphism: a generative process where intelligible forms grow out of the loom-weaver-threads system contradicting the hylomorphic schema where an actor gives form to matter. As the contributions in the book show, histomorphism, is not a technical mode restricted to the craft of weaving, but a concept providing a complex type of order that humans/actors identify in social, formal, cosmological, digital, and philosophical dimensions. Positioned in the possibilities opened up by the 'Inquiry into Modes of Existence' project of Bruno Latour and the idea of Tim Ingold that making should be seen as a modality of weaving, the book provides case studies, performances, technical tools, speculative analyses, ethnographic studies, and philosophical revealing something about weaving that remains invisible if presented according to common disciplinary boundaries.The contributions form clusters and socialize around challenges of referencing, terminology, technology, and form (part I), explorations of patterns as knowledge of order (part II), and stories about missing and seizing textile opportunities (part III), following an introductory chapter on Homo textor. The first part address established paradigms of production and making, such as the superimposition of form to matter (hylemorphism), the opposition of (extrinsic) structure and (intrinsic) substance, and the search for exact correspondences between terms and objects to which weaving poses a radical challenge. The papers in part II look at what weavers do and know and how this knowledge travels to other types of objects and beings as well as their relation to each other, the world in which they live, and how it is ordered. Part III brings together chapters demonstrating that considering seriously not only the textile object as outcome of a textile production process, but also the production process itself with its social relations and movements can take us to new perspectives not only in art, but also in coding and the development of new technologies Homo Textor aims to exemplify how the (technical) mode of existence of weaving is able to provide concepts that help to rethink Homo faber and the way the Moderns (as described by Latour) talk about technology. The characteristic weaving mode is defined as histomo This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781912729425
Acheter neuf
EUR 37,82
Expédition à EUR 43,15
Expédition depuis Royaume-Uni vers Etats-Unis
Expédition depuis Royaume-Uni vers Etats-Unis
Quantité disponible : 1 disponible(s)
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Homo Textor : Weaving As (Technical) Mode of Existence
Edité par
Mattering Press Jun 2026, 2026
ISBN 10 : 1912729423
ISBN 13 : 9781912729425
Neuf
Taschenbuch
Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Évaluation du vendeur 5 sur 5 étoiles
Taschenbuch. Etat : Neu. Neuware - Homo Textor aims to exemplify how the (technical) mode of existence of weaving is able to provide concepts that help to rethink Homo faber and the way the Moderns (as described by Latour) talk about technology. The characteristic weaving mode is defined as histomorphism: a generative process where intelligible forms grow out of the loom-weaver-threads system contradicting the hylomorphic schema where an actor gives form to matter. As the contributions in the book show, histomorphism, is not a technical mode restricted to the craft of weaving, but a concept providing a complex type of order that humans/actors identify in social, formal, cosmological, digital, and philosophical dimensions. Positioned in the possibilities opened up by the 'Inquiry into Modes of Existence' project of Bruno Latour and the idea of Tim Ingold that making should be seen as a modality of weaving, the book provides case studies, performances, technical tools, speculative analyses, ethnographic studies, and philosophical revealing something about weaving that remains invisible if presented according to common disciplinary boundaries.The contributions form clusters and socialize around challenges of referencing, terminology, technology, and form (part I), explorations of patterns as knowledge of order (part II), and stories about missing and seizing textile opportunities (part III), following an introductory chapter on Homo textor. The first part address established paradigms of production and making, such as the superimposition of form to matter (hylemorphism), the opposition of (extrinsic) structure and (intrinsic) substance, and the search for exact correspondences between terms and objects to which weaving poses a radical challenge. The papers in part II look at what weavers do and know and how this knowledge travels to other types of objects and beings as well as their relation to each other, the world in which they live, and how it is ordered. Part III brings together chapters demonstrating that considering seriously not only the textile object as outcome of a textile production process, but also the production process itself with its social relations and movements can take us to new perspectives not only in art, but also in coding and the development of new technologies. N° de réf. du vendeur 9781912729425
Acheter neuf
EUR 52,62
Expédition à EUR 63,62
Expédition depuis Allemagne vers Etats-Unis
Expédition depuis Allemagne vers Etats-Unis
Quantité disponible : 2 disponible(s)