This book presents the life and work of the Victorian landscape painter Alfred Augustus Glendening (1840–1921). With beautiful illustrations of his pictures, showing a timeless countryside, it explores Glendening’s rapid rise from railway clerk to acclaimed artist. Whilst critics often reviewed his exhibited works, very little has been written about the artist himself. Here, new and extensive research removes layers of mystery and misinformation about his life, family and career, accurately placing him in the midst of the British art world during much of the nineteenth and into the twentieth century. Glendening was a man from humble origins, working fulltime as a railway clerk, yet was able to make his London exhibition debut at the age of twenty. This would have been almost impossible before the Victorian era, an extraordinary period when social mobility was a real possibility. Although his paintings show a tranquil and unspoiled landscape, his environment was rapidly being transformed by social, scientific and industrial developments, while advances in transport, photography and other technical discoveries undoubtedly influenced him and his fellow painters. Celebrating his uniquely Victorian story, the book places Glendening within his historical context. Running alongside the main text is a timeline outlining significant landmarks, from political and social events to artistic and technical innovations. Thoroughly researched over many years, the narrative explores why and for whom he painted, his artistic training and inspirations. Painting at Hampton and Greenwich, beside the River Thames, Glendening soon discovered the Welsh hills and became a member of the Bettws-y-Coed Artists’ Colony, founded by David Cox. His masterful landscapes also include views of the Scottish Highlands, the Lake District, the Norfolk Broads, the South Downs and the Isle of Wight. The book uncovers new information about the Victorian art world and embraces such aspects as Royal Academy prejudices, the popularity of Glendening’s work at home and abroad, especially Australia and America, his use of photography, and the sourcing of his art materials. Family trees are included, and other artistic family members discussed, notably his son and pupil Alfred Illman Glendening (1861–1907). There is a comprehensive list of their exhibited works at the Royal Academy and other major institutions, and details of their paintings in public collections.
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Alice Munro-Faure is an independent art historian and writer.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
Etat : New. 2022. hardcover. . . . . . Books ship from the US and Ireland. N° de réf. du vendeur 9781913645236
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Vendeur : CMG Books and Art, Toronto, ON, Canada
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Etat : New. 2022. hardcover. . . . . . N° de réf. du vendeur 9781913645236
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Vendeur : Optimon Books, Gravesend, KENT, Royaume-Uni
Hardcover. Etat : Fair. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. The life and work of Victorian landscape painter Alfred Augustus Glendening, illustrating his rapid rise from railway clerk to an acclaimed artist. Though critics often reviewed Alfred Augustus Glendening's exhibitions, very little has been written about the artist himself. Here, new and extensive research removes layers of mystery and misinformation about his life, family, and career, accurately placing him amid the British art world during much of the nineteenth and into the twentieth century. Glendening was a man from humble origins, working full-time as a railway clerk when he managed to make his London exhibition debut at the age of twenty-a feat that would have been almost impossible before the Victorian era ushered in new possibilities of social mobility. Although his paintings show a tranquil and unspoiled landscape, his environment was rapidly being transformed by social, scientific, and industrial developments, while advances in transport, photography, and other technical discoveries undoubtedly influenced him and his fellow painters. Celebrating his uniquely Victorian story, the book places Glendening within his proper historical context. Running alongside the main text is a timeline outlining significant landmarks, from political and social events to artistic and technical innovations. Thoroughly researched, the narrative explores why and for whom he painted, his artistic training, and his various inspirations. The book uncovers new information about the Victorian art world and embraces such aspects as Royal Academy prejudices, the popularity of Glendening's work at home and abroad, his use of photography, and the sourcing of his art materials. In good condition, although has a small mark on the front (hard) cover and resale price written in ink on the inside cover sheet. N° de réf. du vendeur 443368
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Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st Edition. Qto., xii, 326 pages, numerous colour illustrationss. An unused, Fine copy in a Fine dust jacket. N° de réf. du vendeur 101164
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