European art pottery around 1900 was a profoundly experimental and international movement. This handsome volume, published in conjunction with a major gift to the Saint Louis Art Museum, traces the movement’s development through more than 150 works by both celebrated and forgotten makers, offering a rare and nuanced view of modern ceramics across six regions – France, Germany, the Netherlands, Scandinavia, Austria and Italy. This richly illustrated catalogue, edited by David Conradsen, celebrates a major gift of more than 150 examples of European art pottery donated to the Saint Louis Art Museum by the scholar and collector Dr. Martin Eidelberg. Made across continental Europe between about 1880 and 1930, these works demonstrate the extraordinary variety of form, surface, and ornament realised over a fifty-year span. Many date from around the turn of the twentieth century and reveal how artists, designers, and manufacturers responded to the so-called ‘Cult of Nature’, filtered through personal expression, technical experimentation, and the emergence of modernist design ideals. Strongest in works by French makers – reflecting the origins of the movement in France in the 1870s – the catalogue includes ceramics by wellknown figures such as Ernest Chaplet, Émile Decoeur, and Pierre-Adrien Dalpayrat, alongside works by many lesser-known or rarely collected artists. These include Atelier Glatigny, ‘Robalbhen’, and Nils de Barck, among numerous others, offering a broader and more nuanced picture of the movement than is typically available in American museum collections. The book opens with an introductory essay situating European art pottery within its historical and artistic context. Short essays, co-authored by Eidelberg and the scholar Jonathan Clancy, introduce each geographical section by examining pottery production in specific regions around 1900. Individual works are catalogued by Conradsen and expanded upon with entries by Eidelberg. Fully illustrated throughout, the volume also includes a ceramic marks reference section and a selected bibliography.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
David Conradsen is the Grace L. Brumbaugh and Richard E. Brumbaugh Curator of Decorative Arts and Design at the Saint Louis Art Museum.
Dr. Martin Eidelberg, Professor Emeritus of Art History at Rutgers University, has published widely on eighteenth-century painting and on modern ceramics and glass.
Dr. Jonathan Clancy is the Director of Collections and Preservation at the Stickley Museum at Craftsman Farms in New Jersey.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardback. Etat : New. This catalogue celebrates Dr. Martin Eidelberg's donation of European art pottery to the Saint Louis Art Museum This beautiful book begins with an introduction to European art pottery between 1880 and 1914, followed by a plate section featuring the gifted works grouped by country of origin. Each group starts with a brief prologue describing pottery production in that region around the turn of the twentieth century. Also included is a ceramic marks reference section and a selected bibliography. N° de réf. du vendeur LU-9781913645939
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Hardcover. Etat : new. Hardcover. This catalogue celebrates Dr. Martin Eidelberg's donation of European art pottery to the Saint Louis Art Museum This beautiful book begins with an introduction to European art pottery between 1880 and 1914, followed by a plate section featuring the gifted works grouped by country of origin. Each group starts with a brief prologue describing pottery production in that region around the turn of the twentieth century. Also included is a ceramic marks reference section and a selected bibliography. This catalogue will celebrate Dr. Martin Eidelbergs donation of European art pottery to the Saint Louis Art Museum. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781913645939
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