About one woman’s fine, hard life at the racetrack, Kick the Latch – with its ruthless concision and artful mysteries – is lightning in a bottle.
Kathryn Scanlan’s Kick the Latch vividly captures the arc of one woman’s life at the racetrack – the flat land and ramshackle backstretch; the bad feelings and friction; the winner’s circle and the racetrack bar; the fancy suits and fancy boots; and the ‘particular language’ of ‘grooms, jockeys, trainers, racing secretaries, stewards, pony people, hotwalkers, everybody’ – with economy and integrity.
Based on transcribed interviews with Sonia, a horse trainer, the novel investigates form and authenticity in a feat of synthesis reminiscent of Charles Reznikoff’s Testimony. As Scanlan puts it, ‘I wanted to preserve – amplify, exaggerate – Sonia’s idiosyncratic speech, her bluntness, her flair as a storyteller. I arrived at what you could call a composite portrait of a self.’ Whittled down with a fiercely singular artistry, Kick the Latch bangs out of the starting gate and carries the reader on a careening joyride around the inside track.
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Kathryn Scanlan is the author of The Dominant Animal and lives in Los Angeles. Her work has appeared in NOON, Granta and Fence, and is forthcoming in The Paris Review. Her story ‘The Old Mill’ was selected by Michael Cunningham for the 2010 Iowa Review Fiction Prize. She has degrees in painting, writing, and English from the University of Iowa and the School of the Art Institute of Chicago. Her debut novel, AUG 9―FOG, a literary adaptation of a found diary, was published by FSG in 2019.
About one woman’s fine, hard life at the racetrack, Kick the Latch – with its ruthless concision and artful mysteries – is lightning in a bottle.
Kathryn Scanlan’s Kick the Latch vividly captures the arc of one woman’s life at the racetrack – the flat land and ramshackle backstretch; the bad feelings and friction; the winner’s circle and the racetrack bar; the fancy suits and fancy boots; and the ‘particular language’ of ‘grooms, jockeys, trainers, racing secretaries, stewards, pony people, hotwalkers, everybody’ – with economy and integrity.
Based on transcribed interviews with Sonia, a horse trainer, the novel investigates form and authenticity in a feat of synthesis reminiscent of Charles Reznikoff’s Testimony. As Scanlan puts it, ‘I wanted to preserve – amplify, exaggerate – Sonia’s idiosyncratic speech, her bluntness, her flair as a storyteller. I arrived at what you could call a composite portrait of a self.’ Whittled down with a fiercely singular artistry, Kick the Latch bangs out of the starting gate and carries the reader on a careening joyride around the inside track.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. '.a chiselled little gem about a horse trainer called Sonia.told in her unforgettably downbeat voice. Such poise and economy - I can't remember a novel about work that's impressed me so.' - Tim WintonBased on transcribed interviews with a former racehorse trainer from Iowa,Kick the Latch is a stunning work of fiction that investigates form, authenticityand idiosyncratic speech. This is a patient and attentive exercise in radical listening,whittled, shaped and reimagined to tell the story of one woman's fine,hard, pungent life at the racetrack in 100 tough, side-of-the-mouth nuggets. 'Scanlan can make a sentence do the work of apage.' - Chris Power Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781914198250
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