Oh, How We Laughed*
* Cried, chuckled, suffered, retreated, enjoyed, blanked, masked, cringed, smiled, consumed, planned, protested, disappeared, felt, ruminated, withdrew, celebrated, raged, meditated, screamed, froze, danced, existed...
Jace Reh and Theo Brown bring together artwork, poetry, and prose from Queer, Disabled South Australians for the anthology, Oh, How We Laughed*. Creativity and laughter are universal. They aren't a constant but are a strong point of connection. We experience fear, joy, loss, exhilarating highs, depressive lows, and so much more. How we express those emotions might be different or not at all, yet amongst all this we can always strive for a laugh.
The creative works featured in this anthology draw from a wide range of experiences and expressions. They share thoughts through fiction and pure creative forms. They delve into sharp realisations and convey these in direct non-fiction texts. There are pieces that feel like mere glimpses into single moments of the creators' lives. They all collate into this anthology, which is designed as an exhibition in printed form. The works are presented for readers to browse at their leisure, focus as intently as desired, or be guided from start to finish as curated to balance the peaks in emotions and pace of the individual styles.
Oh, How We Laughed* is the second book in the Blue Feet Anthology series and is edited by Alex Dunkin. The first book in the series, Green, is an anthology by South Australian emerging creative researchers.
Oh, How We Laughed* is a showcase of creative expression featuring Theo Brown, Freddie Foeng, KJ Hepworth, Rainier Hotchkiss, Sally Ann Hunter, J.A.M., Fig Kershaw, Victoria Knight, Tabitha Lean, Leon McAloney, Tushar Patel, Jace Reh, Tikari Rigney, Denver Rurrk, and Cameron Rutherford.
Cover art by Tikari Rigney.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Jace Reh (he/she/they) is a queer, disabled Gamilaroi person living on Kaurna Yerta, raised on Narrunga country. With a passion for words and social justice, she endeavours to create deeply personal works that speak to his journeys of self-discovery and community building. Jace and their partner Theo have created Collaborative Radical Intersectional Performance Spaces (CRIPS) in the hopes of bringing together non-normative body-minds to create the perfect space to learn from one another.
Theo is an Irish Autistic trans QueerCrip artist living, creating, and resting on Kaurna Land. Theo predominately works with pencil and paper, inspired by queer and disabled artists of the past and present. He is known for his portraits focused on community leaders, the beautiful faces of Queer and Disabled people, created to remember their power and impact on our stories. Theo spends his time resting his body-mind and building safer community spaces with a passion for abolition and land back.
Dr Alex Dunkin is a writer based on Kaurna Country (Adelaide, South Australia) whose studies focused on understanding contemporary and experimental writing, in particular how an Australian audience can access the Italian cannibale genre. He is the author of the queer YA novel Coming Out Catholic, experimental romance Homebody, and grotesque satire Fair Day. He is the editor of the queer oral history collection Peering Through, anthology of emerging creative researchers Green, and an upcoming anthology featuring work by South Australian queer and disabled writers and artists. He is passionate about discovering emerging creatives and publishing underrepresented voices.Alex has previously worked as a journalist for LGBTIQA+ street presses, taught creative and professional writing at the University of South Australia, and continues to promote predominantly local and establishing creatives as a performing arts reviewer for Glam Adelaide. More information about Alex can be found on his author website www.alexdunkin.com
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Oh, How We Laughed\*\* Cried, chuckled, suffered, retreated, enjoyed, blanked, masked, cringed, smiled, consumed, planned, protested, disappeared, felt, ruminated, withdrew, celebrated, raged, meditated, screamed, froze, danced, existed.Jace Reh and Theo Brown bring together artwork, poetry, and prose from Queer, Disabled South Australians for the anthology, Oh, How We Laughed\*. Creativity and laughter are universal. They aren't a constant but are a strong point of connection. We experience fear, joy, loss, exhilarating highs, depressive lows, and so much more. How we express those emotions might be different or not at all, yet amongst all this we can always strive for a laugh.The creative works featured in this anthology draw from a wide range of experiences and expressions. They share thoughts through fiction and pure creative forms. They delve into sharp realisations and convey these in direct non-fiction texts. There are pieces that feel like mere glimpses into single moments of the creators' lives. They all collate into this anthology, which is designed as an exhibition in printed form. The works are presented for readers to browse at their leisure, focus as intently as desired, or be guided from start to finish as curated to balance the peaks in emotions and pace of the individual styles.Oh, How We Laughed\* is the second book in the Blue Feet Anthology series and is edited by Alex Dunkin. The first book in the series, Green, is an anthology by South Australian emerging creative researchers.Oh, How We Laughed\* is a showcase of creative expression featuring Theo Brown, Freddie Foeng, KJ Hepworth, Rainier Hotchkiss, Sally Ann Hunter, J.A.M., Fig Kershaw, Victoria Knight, Tabitha Lean, Leon McAloney, Tushar Patel, Jace Reh, Tikari Rigney, Denver Rurrk, and Cameron Rutherford.Cover art by Tikari Rigney. N° de réf. du vendeur 9781922314130
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