One of Spain's most prominent and innovative artists, Joan Fontcuberta is best known for exploring the interstices between art, science, and illusion. Where science reaches its limits in his works, the imagination frequently finds a creative space in which to flourish. In Landscapes without Memory, Fontcuberta has co-opted a piece of computer software originally designed for military or scientific use in rendering three-dimensional images of landscapes. The software enables the user to build photo-realistic models based on information scanned from two-dimensional sources - usually satellite surveys or cartographic data. The result gives the user the illusion of navigating in three dimensions what had previously been visualized only as a flat image. With this widely available "freeware" as his starting point, Fontcuberta has created the two series that constitute his Landscapes without Memory. In the "Landscapes of Landscapes" series, Fontcuberta feeds the software fragments of pictures by Turner, Cezanne, Dali, Stieglitz, Weston, and others, forcing the program to interpret a variety of landscape masterworks as "real." The contours and tones of these painted and photographic landscapes are transformed into three-dimensional mountains, rivers, valleys, and clouds. The vocabulary of art is thus transmuted into that of cartography. In the "Bodyscapes" series, Fontcuberta uses the same software to reinterpret photographs depicting fragments of his own body. The result? A wild, baroque, virtualfantasy world. While referring to the contemporary exchange between illusion, nature, culture, and technology, Landscapes without Memory also makes a pointed gesture aimed at fooling that epitome of machine rationalism: the computer.
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JOAN FONTCUBERTA, who was born in Barcelona in 1955, teaches at the Audiovisual Communication School at the Pompeu Fabra University in Barcelona. Widely exhibited internationally, he has had solo exhibitions in the U.S. at the Museum of Modern Art, New York, and the Art Institute of Chicago, among other venues. The founder and editor of Photo Vision magazine, Fontcuberta has written several books on the history, aesthetics, and teaching of photography. His own photographic work has been published in over a dozen monographs, including The Artist and the Photograph (2000), Twilight Zones (2000), and Sputnik (1997). Fontcuberta is represented by Zabriskie Gallery in New York, L.A. Galerie Lothar Albrecht in Frankfurt, and Galeria Helga de Alvear in Madrid. GEOFFREY BATCHEN teaches the history of photography at the CUNY Graduate Center in New York. His latest book is Forget Me Not: Photography and Remembrance (2004).
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Vendeur : ANARTIST, New York, NY, Etats-Unis
Hardcover without dustjacket as issued, 96 pages, very good condition, light rubbing to padded covers; no internal marks. Foreign shipping may be extra. N° de réf. du vendeur JoFoAp40.1
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Vendeur : Better World Books Ltd, Dunfermline, Royaume-Uni
Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 17505271-6
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Vendeur : Better World Books Ltd, Dunfermline, Royaume-Uni
Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 57516981-20
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Vendeur : BennettBooksLtd, Los Angeles, CA, Etats-Unis
Hardcover. Etat : New. In shrink wrap. Looks like an interesting title! N° de réf. du vendeur Q-1931788790
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Vendeur : Black Cat Books, Shelter Island, NY, Etats-Unis
Hardcover. Etat : Very Good. No Jacket. 1st Edition. Signed & inscribed by Joan Fontcuberta to the previous owner on the title page. First edition. Hardbound, no dust jacket as issued. Signed by Author(s). N° de réf. du vendeur 90376
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Vendeur : Jeff Hirsch Books, ABAA, Wadsworth, IL, Etats-Unis
First Edition. First edition and first printing. Oblong hardcover. 96 pages. Features an essay by Geoffrey Batchen and text by Fontcuberta. Includes 80 four color images as well. A very near fine copy in photo-illustrated boards. No dust jacket as issued. Signed and inscribed by Fontcuberta to a New York gallerist. Signed. N° de réf. du vendeur 185688
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Vendeur : World Wide Books, Sevilla, SE, Espagne
Etat : Usado- bueno. N° de réf. du vendeur 9781931788793
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Vendeur : Sage Rare & Collectible Books, IOBA, Livonia, MI, Etats-Unis
Hardcover. Etat : Fine+ No dust jacket as issued. First Edition; First Printing. Photographic cover is pristine. Boards and spine are straight. Binding is tight. Pages are clean and pristine. Book has never been cracked open. N° de réf. du vendeur 17805
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Vendeur : Nonpareil Books, Liverpool, Royaume-Uni
Hardcover. Etat : Very Good. The first major monograph to be published in the United States by one of Spain's most prominent and innovative artists. Winner of the 2013 Hasselblad Foundation International Award in Photography, Fontcuberta creates what appears to be lush landscapes but they were made by scanning and blending landscapes by artists like Henri Rousseau and Cezanne using geographic mapping software - - - - - - - - - Signed first edition hardback, wrapped in padded cover. The book is in very good condition with just some mild wear to the matt surface of the covers. Signed by Fontcuberta on the title page. Comes with the multi-panel promotional brochure for the book. Signed by Author(s). N° de réf. du vendeur 000077
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Vendeur : A&D Books, South Orange, NJ, Etats-Unis
Hardcover. SIGNED. First edition, first printing. As New hardcover; no dj as issued. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, BOXED. Photographs and introduction by Joan Fontcuberta; essay by Geoffrey Batchen. 96 pages; 80 full-page color plates; 12 x 8.75 inches. SIGNED BY FONTCUBERTA on the half title page, inscribed and dated in 2007. LAID IN is a multi-panel promotional brochure for the book, a gallery invite for a show of Fontcuberta's work and two reviews of 1990s exhibits of his work. Fontcuberta subjects various landscapes--among them ones by Cezanne, Turner, Weston, and Dali, as well as photographs of his own body--to the manipulation of landscape-rendering software originally designed for the military and scientific communities. The limited visual vocabulary of the programs translates contours (like floppy clocks) into natural elements such as hills, rivers, clouds, and the like. The first major monograph to be published in the United States by one of Spain's most prominent and innovative artists. N° de réf. du vendeur 14315
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