Since the early 1960s, William Christenberry has plumbed the regional identity of the American South, focusing his attention on Hale County, Alabama, from which he hails. Although Christenberry is most often associated with and recognized as a pioneer in the field of American color photography, his vision is multifaceted and rendered through an unorthodox mix of media that includes sculpture, drawing, painting, and found-object assemblage. To understand the full scope and complexity of his personal investigation of the South and his own heritage, it is essential to consider these various media together. Christenberry's theme, however, is singular: the history, the very story of place, is at the heart of his project. An affection for literature and the distinctly southern tradition of oral history informs his work. Christenberry's poetic documentation of vernacular architecture, signage, and landscape captures moments of quiet beauty in a sometimes mythic terrain that, with its worn iconography and buildings turned ramshackle, evokes the form and power of the passage of time. Since relocating to Washington, D.C., in 1968, Christenberry has dutifully returned to photograph the same locations annually - the green barn, the palmist building, the Bar-B-Q Inn, among others - fulfilling a personal ritual and documenting the physical changes wrought by the passing of a year. More than half the work in this comprehensive survey of Christenberry's oeuvre is previously unpublished, including a stunning selection of his never-before-seen photographs shot in Kodachrome. Publication will coincide with a major exhibition at the Smithsonian American Art Museum opening in the summer of 2006 and a simultaneous show at the Aperture Gallery.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
WILLIAM CHRISTENBERRY (b. 1936) has been a professor at the Corcoran College of Art and Design since 1968. He is world renowned for his photography, sculpture, drawings, and paintings that pay tribute to his roots in rural Alabama. His work can be found in the collections of the Smithsonian American Art Museum, Washington, D.C.; Museum of Modern Art, New York; and San Francisco Museum of Modern Art. ELIZABETH BROUN is the Margaret and Terry Stent Director, Smithsonian American Art Museum. WALTER HOPPS (d. 2005) was founding director of the Menil Collection, Houston, where he was also curator of twentieth-century art. ANDY GRUNDBERG is a critic, curator, and teacher in Washington, D.C., where he is the Administrative Chair of Photography at the Corcoran College of Art and Design. Crisis of the Real, a collection of his essays, was published by Aperture in an expanded edition in 1999. HOWARD N. FOX is Curator of Modern and Contemporary Art, Los Angeles County Museum of Art.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Hardback. Etat : Good. Since the early 1960s, William Christenberry has plumbed the regional identity of the American South, focusing his attention on Hale County, Alabama, from which he hails. Although Christenberry is most often associated with and recognized as a pioneer in the field of American color photography, his vision is multifaceted and rendered through an unorthodox mix of media that includes sculpture, drawing, painting, and found-object assemblage. To understand the full scope and complexity of his personal investigation of the South and his own heritage, it is essential to consider these various media together. Christenberry's theme, however, is singular: the history, the very story of place, is at the heart of his project. An affection for literature and the distinctly southern tradition of oral history informs his work. Christenberry's poetic documentation of vernacular architecture, signage, and landscape captures moments of quiet beauty in a sometimes mythic terrain that, with its worn iconography and buildings turned ramshackle, evokes the form and power of the passage of time. Since relocating to Washington, D.C., in 1968, Christenberry has dutifully returned to photograph the same locations annually - the green barn, the palmist building, the Bar-B-Q Inn, among others - fulfilling a personal ritual and documenting the physical changes wrought by the passing of a year. More than half the work in this comprehensive survey of Christenberry's oeuvre is previously unpublished, including a stunning selection of his never-before-seen photographs shot in Kodachrome. Publication will coincide with a major exhibition at the Smithsonian American Art Museum opening in the summer of 2006 and a simultaneous show at the Aperture Gallery. N° de réf. du vendeur 00108607776
Quantité disponible : 1 disponible(s)
Vendeur : Copperfield's Used and Rare Books, Petaluma, CA, Etats-Unis
Hardcover. Etat : Coll - U6 - Very Good. Hardcover, VG. Nice, clean copy. Bright pages. Some light shelfwear. Solid binding. N° de réf. du vendeur 6488236
Quantité disponible : 1 disponible(s)
Vendeur : World of Books Inc, Montgomery, IL, Etats-Unis
Hardback. Etat : Good. Since the early 1960s, William Christenberry has plumbed the regional identity of the American South, focusing his attention on Hale County, Alabama, from which he hails. Although Christenberry is most often associated with and recognized as a pioneer in the field of American color photography, his vision is multifaceted and rendered through an unorthodox mix of media that includes sculpture, drawing, painting, and found-object assemblage. To understand the full scope and complexity of his personal investigation of the South and his own heritage, it is essential to consider these various media together. Christenberry's theme, however, is singular: the history, the very story of place, is at the heart of his project. An affection for literature and the distinctly southern tradition of oral history informs his work. Christenberry's poetic documentation of vernacular architecture, signage, and landscape captures moments of quiet beauty in a sometimes mythic terrain that, with its worn iconography and buildings turned ramshackle, evokes the form and power of the passage of time. Since relocating to Washington, D.C., in 1968, Christenberry has dutifully returned to photograph the same locations annually - the green barn, the palmist building, the Bar-B-Q Inn, among others - fulfilling a personal ritual and documenting the physical changes wrought by the passing of a year. More than half the work in this comprehensive survey of Christenberry's oeuvre is previously unpublished, including a stunning selection of his never-before-seen photographs shot in Kodachrome. Publication will coincide with a major exhibition at the Smithsonian American Art Museum opening in the summer of 2006 and a simultaneous show at the Aperture Gallery. N° de réf. du vendeur CIN1931788898G
Quantité disponible : 1 disponible(s)
Vendeur : Stephen Bulger Gallery, Toronto, ON, Canada
Hardcover. Etat : New. Etat de la jaquette : New. N° de réf. du vendeur 000172
Quantité disponible : 1 disponible(s)
Vendeur : Gibbs Books, Buffalo, NY, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Near Fine. William Christenberry (illustrateur). 1st Edition. 1sty. Edition, 1st. Printing 2006, Hardcover with the dust jacket, 204 page book. Illustrated with William Christenbery's excellent photographic work full page color plates. Condition : Near Fine with shelf rubs . Size: 4to - over 9¾ - 12" tall. Book. N° de réf. du vendeur 093026-V
Quantité disponible : 1 disponible(s)
Vendeur : Second Story Books, ABAA, Rockville, MD, Etats-Unis
Hardcover. First Edition. Oblong quarto, 203 pages. In Very Good minus condition with Very Good minus dust jacket. Dust jacket has mild edge and shelf wear and has sticker on inside of rear cover. Boards have mild edge wear. Textblock has slight soiling on copyright page. Inscribed by William Christenberry on half title page. Shelved Room A. 1380414. Special Collections. N° de réf. du vendeur 1380414
Quantité disponible : 1 disponible(s)
Vendeur : Mooney's bookstore, Den Helder, Pays-Bas
Etat : Very Good. N° de réf. du vendeur FC71378D37A4587
Quantité disponible : 1 disponible(s)
Vendeur : Acadia Art & Rare Books. Est. 1931, Toronto, ON, Canada
Hardcover. Etat : About Fine. Etat de la jaquette : Near Fine. 1st Edition. Hardcover book with complete DJ. Illustrated in colour and b/w photographs. Small closed tear to head of DJ. Clean, unmarked, and square. Oblong 4to. N° de réf. du vendeur 032247
Quantité disponible : 1 disponible(s)
Vendeur : Ed Smith Books, Bainbridge Island, WA, Etats-Unis
Hardcover. Etat : Near Fine. Etat de la jaquette : dj. First edition. Oblong 4to. Signed by William Christenberry. Foreword by Elizabeth Broun. Essays by Walter Hopps, Andy Grundberg, and Howard N. Fox. Since the early 1960s, William Christenberry has plumbed the regional identity of the American South, focusing his attention on Hale County, Alabama, from which he hails. Although Christenberry is often associated with American color photography, his multifaceted vision encompasses a mix of media that includes sculpture, drawing, painting, and found-object assemblage. To understand the scope and complexity of his decades-long project, these various media must be considered together. 130 plates. A near fine copy in a near fine dust jacket. Signed. N° de réf. du vendeur 14859
Quantité disponible : 1 disponible(s)
Vendeur : ANARTIST, New York, NY, Etats-Unis
Hardcover with dustjacket, 204 pages; very good condition; light rubbing and edgewear to dj; signed by William Christenberry under his printed name on the half-title page; no other internal marks. Foreign shipping may be extra. N° de réf. du vendeur WiChAp225
Quantité disponible : 1 disponible(s)