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Brazilian artist Cildo Meireles (b 1948) has made some of the most philosophically brilliant, politically telling and aesthetically seductive works in recent art. An important theme in the Brazilian post-war avant-garde, from which Meireles emerged at the end of the 1960s, was the relationship between the sensual and the cerebral, the body and the mind. Meireles, now acknowledged as a key instigator of conceptual art, has remained true to these concerns, and to a political and ethical viewpoint formed outside the 'cultures of plenty'. At the same time he has become a global artist, making work that deals with issues and experiences that affect us all, whatever our country of origin.Under the repressive military regime of the late 1960s and early 1970s which controlled the media, Meireles found different ways of reaching the public, stamping bank-notes with seditious slogans and returning them into circulation or stencilling Coke bottles with slogans before sending them back to the bottling plant (Insertion into Ideological Circuits). Other works play with the sense of space or scale, varying in size from that of a ringer-ring to an installation covering 225 metres. His installations are always designed to heighten the awareness of his audience, sometimes by inducing fear, as in Volatile, (1980/94) which includes the presence of a naked candle and the smell of natural gas.Fontes (1992), consists of a small room converted into a labyrinth by the suspension of hundreds of identical rulers from its ceiling, mounting hundreds of clocks around its perimeter and covering its floor with hundreds of tiny plastic numbers, so that movement is restricted by the instruments of measurement of time and space. Babel (2001) is a contemporary take on the myth of the tower that confounded the world's languages.Lavishly illustrated this book will provide an invaluable guide to the work and ideas of this important international artist.
Guy Brett is a long established art critic and curator who lives and works in London. He has written extensively on art, particularly on that of the Latin-Americas, since the 1960s and has curated and organised a number of international exhibitions.
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EUR 16,15 expédition depuis Etats-Unis vers France
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Destinations, frais et délaisVendeur : Better World Books, Mishawaka, IN, Etats-Unis
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Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
Hardcover. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 2.6. N° de réf. du vendeur G1933045914I3N00
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Vendeur : Librairie chemin des arts, PARIS, France
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Vendeur : Free Play Books, NEW HAVEN, CT, Etats-Unis
Hardcover. Etat : Near Fine. Etat de la jaquette : Very Good. 4to. 188 pp. (4). Grey cloth. Light toning. Jacket edgeworn, lightly creased at spine-ends. Near fine in very good dust jacket. N° de réf. du vendeur 1151
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Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Hardcover. Etat : Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. N° de réf. du vendeur M1933045914Z3
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Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Hardcover. Etat : Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized. N° de réf. du vendeur M1933045914Z2
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Vendeur : Pistil Books Online, IOBA, Seattle, WA, Etats-Unis
Oversize Hardback. Etat : Very Good. No Jacket. A clean, unmarked book with a tight binding. Slight wear and fading to book cover. 8 7/8"w x 11"h. 192 pages. Many color photos. 3. N° de réf. du vendeur 156597
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Vendeur : Hennessey + Ingalls, Los Angeles, CA, Etats-Unis
Hardcover. Etat : New. Brazilian artist Cildo Meireles, born in 1948, has made some of the most politically telling and aesthetically seductive works in recent art. An important theme in the Brazilian postwar avant-garde, from which Meireles emerged at the end of the 1960s, was the relationship between the sensual and the cerebral, the body and the mind. Meireles, now acknowledged as a key instigator of international Conceptual art, has remained true to these concerns--and to a political and ethical viewpoint formed outside the cultures of plenty. At the same time, he has become a global artist, making work that deals with issues and experiences that affect us all--whatever our country of origin. Under the repressive military regime of the late 1960s and early 1970s, which controlled the Brazilian media, Meireles found different ways of reaching the public--stamping bank notes with seditious slogans and returning them into circulation, or stenciling Coke bottles with slogans before sending them back to the bottling plant. Other works play with the sense of space or scale, varying in size from that of a finger ring to an installation covering almost 750 square feet. His installations are always designed to heighten the awareness of his audience, sometimes by inducing fear, as in 'Volatile' (1980/94), which includes the presence of a naked candle and the smell of natural gas. 'Babel' (2001) is a contemporary take on the myth of the tower that confounded the world's languages. Lavishly illustrated, this volume includes 10 short thematic essays by leading scholars--including Moacir dos Anjos, Guy Brett, Okwui Enwezor, Maaretta Jaukkuri, Bartomeu Mar', Lu Menezes, Suely Rolnik, Sonia Salzstein and Lynn Zelevansky--as well as previously unpublished commentaries on each work by the artist. Edited by Guy Brett. Text by Moacir dos Anjos, Guy Brett, Okwui Enwezor, Maaretta Jaukkuri, Bartomeu Mar', Lu Menezes, Suely Rolnik, Sonia Salzstein, Lynn Zelevansky. N° de réf. du vendeur 20100925101862
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