THE COUNTESS OF RUDOLSTADT (1843) by George Sand is the sequel to her romantic masterpiece CONSUELO, a glorious story of true love, the creative force, and a personal crossroads of choices.
Consuelo, now an operatic diva at the court of Frederick II of Prussia, and suspected by many to be his mistress, leads a chaste, uninspired and dreary life at court. Her vocal performances, though still brilliant, have lost their divine inspiration, for she grieves in secret the mysterious loss of her occult love.
But innocent Consuelo's trials have just begun. Pursued by the subtle yet relentless attentions of the king, drawn into a courtly intrigue that involves political conspiracies among princes, court sorcerers and charlatans, dangerous secret societies, mesmerizing personages such as the Count de Saint Germain, and another elusive and even more mysterious stranger who bears a striking resemblance to someone else, Consuelo finds her freedom and her very self in grave peril.
Throughout these tribulations, her greatest choice will follow her always. For Consuelo must still earn, by means of suffering and Herculean tests of loyalty, the two things that she has not yet achieved -- the understanding of earthly truth and the culmination of sacred love.
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This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.
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