The human face had never before received the scrutiny it was given during the Renaissance. Nor would any subsequent period sustain a comparable culture of countenance. Treatises of the 15th and 16th centuries analysed physiognomy, poets and dramatists of the epoch described the face as at once a mirror and a mask of inner truth, and countless works of art recorded the likenesses of individuals. Many of these portraits have achieved lasting fame as masterpieces. But this book of essays reveals how much more there is to learn about bronze portraiture, the form of commemoration valued above all others by Renaissance patrons. Benvenuto Cellini's portraits of two important Florentines - the banker Bindo Altoviti and Cosimo I de'Medici, Grand Duke of Tuscany - are revealed to be triumphs of both technique and insight into character. The essays chosen for this volume delve into other issues of patronage and practice, offering a wide range of new findings on sculpture of the late Renaissance.
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DIMITRIOS ZIKOS is an independent scholar who has curated exhibitions at the Museo Nazionale del Bargello, Florence.With contributions from:A* Denis Allen A* Andrea Bacchi A* Charles DavisA* Francesca G. Bewer A* Antonia Bostrom A* Cinzia Maria SiccaA* Molly McNamara A* Marietta Cambareri A* Massimiliano Rossi
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 57519187-6
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Vendeur : A Squared Books (Don Dewhirst), South Lyon, MI, Etats-Unis
hardcover. Etat : As New. 2013; illustrated paper covered boards; mild corner wear; 8vo, 7 3/4" to 9 3/4" tall; interior is clean and unmarked; 255 pages. N° de réf. du vendeur SKU1179455
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Vendeur : Art&Libri Firenze, FIRENZE, FI, Italie
Rilegato. Etat : come nuovo. Boston, Isabella Stewart Gardner, 2012. Cm. 23x14, pp. 255, figure a colori e in nero nel testo, brossura. The essays in this volume consider issues in sixteenth-century Italian sculpture, a relatively neglected area of study, especially when compared with painting of the same period. The work of Benvenuto Cellini and his circle forms the starting point of the book, which discusses themes including the development of the portrait bust and the patronage of sculpture. The papers are based on a conference held at the Isabella Stewart Gardner Museum in conjunction with the special exhibition Raphael, Cellini, and a Renaissance Banker: The Patronage of Bindo Altoviti. N° de réf. du vendeur 000843
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Vendeur : BWS BKS, Ferndale, NY, Etats-Unis
Paperback. Etat : New. N° de réf. du vendeur 104587
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