In this widely anticipated book, two leading contemporary art historians present a stunning reconsideration of the problem of time in the Renaissance. With intellectual brilliance, Alexander Nagel and Christopher S. Wood reexamine the meanings, uses, and effects of chronologies, models of temporality, and notions of originality and repetition in Renaissance images and artifacts.
Anachronic Renaissance reveals a web of paths traveled by works and artists, a landscape obscured by art history's disciplinary compulsion to anchor its data securely in time. The buildings, paintings, drawings, prints, sculptures, and medals addressed in this book were shaped by concerns about authenticity, about reference to prestigious origins and precedents, and about the implications of transposition from one medium to another. Byzantine icons taken to be early Christian antiquities, the acheiropoeton or image made without hands, the activities of spoliation and citation, differing approaches to art restoration, legends about movable buildings, and forgeries and pastiches: all of these emerge as basic conceptual structures of Renaissance art. The authors show how the complex and layered temporalities of images offered a counterpoint to the linear chronologies that increasingly structured commerce, politics, travel, and everyday life in the fourteenth and fifteenth centuries. While a work of art does bear witness to the moment of its fabrication, Nagel and Wood argue that it is equally important to understand its temporal instability: how it points away from that moment, backward to a remote ancestral origin, to a prior artifact or image, even to an origin outside of time, in divinity. The authors conclude with an analysis of Roman episodes and projects of the decades around 1500, culminating in Raphael's Stanza della Segnatura. This book is not the story about the Renaissance, nor is it just a story. It imagines the infrastructure of many possible stories. Clearly, Anachronic Renaissance will be essential reading for historians of Western art and all those concerned with the historiography of material culture.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Alexander Nagel is Professor of Renaissance Art History at the Institute of Fine Arts in New York, and the author of Michelangelo and the Reform of Art. Christopher S. Wood is Professor in the Department of History of Art, Yale University. He is the author of Albrecht Altdorfer and the Origins of Landscape, and the editor of The Vienna School Reader: Politics and Art Historical Method in the 1930s (Zone Books, 2000).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
Hardcover. Etat : Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G193540802XI4N10
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Vendeur : medimops, Berlin, Allemagne
Etat : very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages. N° de réf. du vendeur M0193540802X-V
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Vendeur : LIBRERIA XODO, Torino, TO, Italie
False (illustrateur). In-4°, pp. 455, numerose illustrazioni n.t., tela editoiale con sovracc. illustrata. Ottimo esemplare. Anachronic Renaissance propone una rilettura innovativa del Rinascimento attraverso la categoria dell'anacronismo. L'autore mette in discussione l'idea di un'epoca storicamente coerente e lineare, mostrando come i testi rinascimentali dialoghino costantemente con tempi diversi, passati e futuri. Il saggio analizza opere letterarie e culturali del periodo rinascimentale evidenziando fratture, sopravvivenze e discontinuità temporali, e offrendo così una prospettiva critica che supera le tradizionali periodizzazioni storiche. Il volume si inserisce nel dibattito contemporaneo sulla temporalità dei testi e sulla costruzione del canone. N° de réf. du vendeur 23409
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Vendeur : Pendleburys - the bookshop in the hills, Llanwrda, Royaume-Uni
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. hardback, large octavo, one short gathering with a light crease to the corner tip otherwise a very good tightly bound copy with clean and unmarked contents and in a well preserved dust jacket. 454pp. N° de réf. du vendeur 298376
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Vendeur : Joe Orlik Books, Manchester, Royaume-Uni
Hardcover. Etat : As New. 1st Edition. First Edition 2nd printing, hardcover 124 b&w ills pp455. Condition page block + DJ As New. N° de réf. du vendeur S22.WoodRen
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Vendeur : Anybook.com, Lincoln, Royaume-Uni
Etat : Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In poor condition, suitable as a reading copy. No dust jacket. Water damage. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1150grams, ISBN:9781935408024. N° de réf. du vendeur 4333918
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