The advent of the cinema radically altered our comprehension of time, space, and reality. With his experience as a pioneering avant-garde filmmaker, Jean Epstein uses the universes created by the cinematograph to deconstruct our understanding of how time and space, reality and unreality, continuity and discontinuity, determinism and randomness function both inside and outside the cinema. Time, he says, should be regarded as the first, not the fourth, dimension--and the cinematograph allows us, for the first time, to manipulate it in directions and speeds of our choosing.
The theoretical work of Jean Epstein greatly influenced later generations of cinema philosophers, notably Gilles Deleuze and Jacques Rancière, but the bulk of his work remains unpublished. The Intelligence of a Machine, his first major title published in English, is one of the earliest philosophies of cinema.
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Jean Epstein (1897-1953) was a noted French avant-garde filmmaker, poet, fiction writer, and one of the earliest philosophers of cinema.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. The advent of the cinema radically altered our comprehension of time, space, and reality. With his experience as a pioneering avant-garde filmmaker, Jean Epstein uses the universes created by the cinematograph to deconstruct our understanding of how time and space, reality and unreality, continuity and discontinuity, determinism and randomness function both inside and outside the cinema. Time, he says, should be regarded as the first, not the fourth, dimension-and the cinematograph allows us, for the first time, to manipulate it in directions and speeds of our choosing. The theoretical work of Jean Epstein greatly influenced later generations of cinema philosophers, notably Gilles Deleuze and Jacques RanciÈre, but the bulk of his work remains unpublished. The Intelligence of a Machine, his first major title published in English, is one of the earliest philosophies of cinema. N° de réf. du vendeur LU-9781937561185
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Etat : New. Translator(s): Wall-Romana, Christophe. Series: Univocal. Num Pages: 105 pages. BIC Classification: APF; HPX. Category: (G) General (US: Trade). Dimension: 194 x 152 x 10. Weight in Grams: 180. . 2014. Paperback. . . . . N° de réf. du vendeur V9781937561185
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Etat : New. Translator(s): Wall-Romana, Christophe. Series: Univocal. Num Pages: 105 pages. BIC Classification: APF; HPX. Category: (G) General (US: Trade). Dimension: 194 x 152 x 10. Weight in Grams: 180. . 2014. Paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9781937561185
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Etat : New. KlappentextrnrnJean Epstein (1897&ndash1953) was a noted French avant-garde filmmaker, poet, fiction writer, and one of the earliest philosophers of cinema. Christophe Wall-Romana is associate professor in the Department. N° de réf. du vendeur 597269626
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Paperback. Etat : New. The advent of the cinema radically altered our comprehension of time, space, and reality. With his experience as a pioneering avant-garde filmmaker, Jean Epstein uses the universes created by the cinematograph to deconstruct our understanding of how time and space, reality and unreality, continuity and discontinuity, determinism and randomness function both inside and outside the cinema. Time, he says, should be regarded as the first, not the fourth, dimension-and the cinematograph allows us, for the first time, to manipulate it in directions and speeds of our choosing. The theoretical work of Jean Epstein greatly influenced later generations of cinema philosophers, notably Gilles Deleuze and Jacques RanciÈre, but the bulk of his work remains unpublished. The Intelligence of a Machine, his first major title published in English, is one of the earliest philosophies of cinema. N° de réf. du vendeur LU-9781937561185
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