While novels and cinema have repeatedly sought after the historical Jesus, until now none have explored what may be a more tantalizing mystery—the Christian story’s anonymous creator. Logos is a literary bildungsroman about the man who will become the anonymous author of the original Gospel, set amid the kaleidoscopic mingling of ancient cultures. Logos is a gripping tale of adventure, a moving love story, and a novel of ideas. None of this should be regarded as out of place or incompatible in a novel about Christianity’s origin. Dissent, anarchism, and revolution—and incipient Christianity was no less these things than the Bolshevik, the French or the American revolutions—inevitably have involved ideas, adventure, and romance. In A.D. 66, Jacob is an educated and privileged Greco-Roman Jew, a Temple priest in Jerusalem, and a leader of Israel’s rebellion against Rome. When Roman soldiers murder his parents and his beloved sister disappears in a pogrom led by the Roman procurator, personal tragedy impels Jacob to seek blood and vengeance. The rebellion he helps to foment leads to more tragedy, personal and ultimately cosmic: his wife and son perish in the Romans’ siege of Jerusalem, and the Roman army destroys Jerusalem and the Temple, and finally extinguishes Israel at Masada. Jacob is expelled from his homeland, and he wanders by land and sea, bereft of all, until he arrives in Rome. He is still rebellious, and in Rome he joins other dissidents, but now plotting ironic vengeance, not by arms, but by the power of an idea. Paul of Tarsus, Josephus, the keepers of the Dead Sea Scrolls, and even Yeshua, the historical Jesus himself, play a role in Jacob’s tumultuous and mysterious fortunes. But it is the women who have loved him who help him to appreciate violence’s dire cycle.
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John Neeleman spends his days working as a trial lawyer in tall buildings in downtown Seattle. He lives in Seattle with his wife and children. He also represents death row inmates pro bono in Louisiana and Texas. As a novelist, his editorial model is historical fiction in a largely realistic mode, though there are hallucinatory passages that reflect Neeleman's concern with philosophical and spiritual matters, in part a residue of his religious upbringing. He was raised as a seventh generation Mormon, and rebelled, but never outgrew his interest in metaphysical concerns.
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