From the beginning, language has played an important role in the work of Marlene Dumas. Her earliest collages make use of text, and she often writes poetical monikers or captions directly onto her drawings, such as "The Eyes of the Night Creatures" or "Miss Interpreted." Over the last 30 years, the artist has written texts ranging from aphorisms, statements and short poetic pieces to longer analytical essays. Her writing focuses on her own work, discussing its subject matter, its politics, background and source material, as well as its critical reception and her own cultural position as an artist. "I am always 'not from here, '" she writes in one text (a poem), "even though I try to know / or understand 'what's going on' and / what the rules are and how they / keep on changing and what that means. / When looking at images I'm not lost, / but I'm uneasy." Sweet Nothings, originally published in a long out-of-print (and rare) Dutch edition in 1998 and now revised and expanded, provides a selection of her best and most representative writings from 1982-2014.
Marlene Dumas (born 1953) is a South African artist who works in a range of media including painting, collage and prints. She moved to Amsterdam for her studies in 1976 and continues to live and work there. She often strips her subjects of their original contexts, working with--while often transgressing and deconstructing--traditional Western modes of representation. She represented the Netherlands in 1995 at the 46th Venice Biennale, and has enjoyed numerous solo museum exhibitions and retrospectives devoted to her work around the world since then.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Marlene Dumas is an artist for whom the written word has always been paramount, a preoccupation revealed in her use of text and language in her paintings, and in the huge volume of writings she has produced and published since the very beginning of her career. Her texts echo the concerns of her paintings, interrogating questions of interpretation and meaning, sexuality, love and death. The artist has a unique voice, writing philosophically but playfully on art, painting, and language itself. She quotes from pop culture, art history, philosophy and literature with a light touch, referencing Dolly Parton and Picasso in the same breath. This revised and expanded edition of Sweet Nothings (first published in 1997) brings the selection of texts up to date (drawing on Dumas writings for catalogues, magazines, journals). It also includes a new collection of Dumas writing on artists, including personal responses to van Gogh, Frank Stella and Alice Neel. A detailed and comprehensive Annotations and Sources section makes the book a valuable reference tool for Dumas scholarship.
Marlene Dumas (born in 1953 in Capetown, South Africa) is one of the most prominent and influential painters working today. In an era dominated by the mass media and a proliferation of images, her work is a testament to the meaning and potency of painting.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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