Fragile Beasts Coloring Book - Couverture souple

 
9781942303169: Fragile Beasts Coloring Book
Couverture souple
ISBN 10 : 1942303165 ISBN 13 : 9781942303169
Editeur : Cooper-Hewitt Museum, 2016

Synopsis

The word grotesque was first coined at the end of the fifteenth century in Italy to describe a style of painting found in Ancient Roman ruins in which foliage intertwines and merges with human and animal forms. The re-discovery of these ruins was deeply influential to artists and designers. Through drawings and prints, grotesque motifs were disseminated as patterns for decoration in architecture, metalwork, textiles and ceramics. The fantastic nature of the grotesque enabled artists to incorporate imagery that pushed the boundaries of the known world. Within the confines of ornamental designs, artists turned elements from nature into otherworldly beings. Creatures, fearsome or playful, graceful or rigid, take their place in dense and sinuous designs for locks, ewers, rings, tapestries, stained glass and more. These intimately scaled works, often measuring just a few inches, are at times erotically charged and at others moralizing. Centuries later, these drawings and prints open a window to the imagination of artists and designers as the Age of Exploration unfolded around them.

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

À propos de l?auteur

Caitlin Condell is Assistant Curator of Drawings, Prints, and Graphic Design at Cooper Hewitt, Smithsonian Design Museum in New York where she has organized numerous exhibitions of art and design, including the forthcoming Fragile Beasts: Designing the Grotesque, How Posters Work (co-curated with Ellen Lupton), Maira Kalman Selects, Making Design and Hewitt Sisters Collect. Magali An Berthon is a New York-based surface designer and art director. She has collaborated with numerous clients in France, USA and southeast Asia, including Kenzo, NellyRodi, Fondation EY France, Judy Ross Textiles, and Artisans d’Angkor.

À propos de la quatrième de couverture

The word grotesque was first coined at the end of the fifteenth century in Italy to describe a style of painting found in Ancient Roman ruins in which foliage intertwines and merges with human and animal forms. The re-discovery of these ruins was deeply influential to artists and designers. Through drawings and prints, grotesque motifs were disseminated as patterns for decoration in architecture, metalwork, textiles and ceramics. The fantastic nature of the grotesque enabled artists to incorporate imagery that pushed the boundaries of the known world. Within the confines of ornamental designs, artists turned elements from nature into otherworldly beings. Creatures, fearsome or playful, graceful or rigid, take their place in dense and sinuous designs for locks, ewers, rings, tapestries, stained glass and more. These intimately scaled works, often measuring just a few inches, are at times erotically charged and at others moralizing. Centuries later, these drawings and prints open a window to the imagination of artists and designers as the Age of Exploration unfolded around them.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

Éditeur
Cooper-Hewitt Museum
Date d'édition
2016
Langue
anglais
ISBN 10 
1942303165
ISBN 13 
9781942303169
Reliure
Broché
Nombre de pages
96
Éditeur
Condell Caitlin
Coordonnées du fabricant
non disponible
Personne responsable
non disponible