Dmitri Alexandrovich Prigov was a leading writer of the late Soviet and early post-Soviet era. Born in 1940 and died in 2007; a lifespan longer than usual for a Russian male of his generation. Almost until the collapse of the Soviet Union, his writing circulated solely in samizdat, or else in overseas publications. He was briefly detained in a Soviet psychiatric hospital in 1986 but released after protests from establishment literary figures. A founder of Moscow Conceptualism, Prigov was an amazingly prolific writer, in all genres, as well as an accomplished visual artist. This collection, the first to appear in English, covers the Soviet era, with work which make serious fun of the Soviet version of reality. Short stories about amazing heroes of the revolution and after, poetic sequences that expose literature, history and culture to the stark light of laughter. It also includes a generous selection of post-Soviet writings, concerned with human mortality and human sinfulness concerns he shares with Dostoevsky. He shares his humor, which is always present, with Gogol. Lists of deaths avoided, punishments for the menagerie, and the cosmic balance of existence. While Prigovs writing is very definitely of the Soviet and post-Soviet world, it also is consonant with contemporaneous avant-garde writing elsewhere. He was a Pop Artist in a land without consumer culture.
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Dmitri Alexandrovich Prigov was born in Moscow in 1940. Trained as a sculptor at the Stroganov Institute, he worked as an architect and made sculptures for public parks during the Soviet era. A prolific writer (in 2005 he estimated that he had already written 35,000 poems), he was a founder of the “Moscow Conceptual art” school. He wrote in almost all conceivable genres (including two novels), was an active performance artist, produced videos, and drawings and installations. He also acted in films, including Taxi Blues. Prior to the collapse of the Soviet Union, Prigov published in underground and émigré journals, and was briefly sent to a psychiatric hospital after being arrested by the KGB. With the onset of glasnost and perestroika, he was able to publish and show his visual art in “official” venues, and also exhibited his art outside of Russia. During the Soviet period his work fiercely satirized official language and culture; after the collapse his writing became more philosophic – but both before and after it energetically explored all the possibilities that language and literature offered. He won several prizes, including, in 2002, the Boris Pasternak prize. Prigov died, in Moscow, of a heart attack in 2007. His collected works are being published in Russia, edited by Mark Lipovetsky.
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Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Paperback. Etat : Very Good. Poetry. Fiction. Translated by Simon Schuchat and Ainsley Morse. With nearly 300 pages of prose and poetry, SOVIET TEXTS is the first representative selected volume of Prigov's poetry and experimental prose texts to appear in English. It includes short stories about amazing heroes of the revolution and after, and poetic sequences that expose literature, history, and culture to the stark light of a post-modern Gogolian laughter, some of which became cult-classics for his generation--such as the cycle Image of Reagan in Soviet Literature. A selection of post-Soviet writings, concerned with human mortality and human sinfulness, is also included. While Prigov's writing is very definitely of the Soviet and post-Soviet world, it is consonant with contemporaneous avant-garde writing elsewhere. Dmitri Alexandrovich Prigov (1940-2007) was a leading writer of the late Soviet and early post-Soviet era. Almost until the collapse of the Soviet Union, his writing circulated solely in unofficial samizdat editions and overseas publications. He was briefly detained in a Soviet psychiatric hospital in 1986 but released after protests from establishment literary figures. A founder of Moscow Conceptualism, Prigov was a prolific writer, in all genres, as well as an accomplished visual artist. Described by some critics as Russia's ultimate post-modern trickster, Prigov mastered many personas all of which come together in what is finally an enigmatic, Warhol-esque artistic mask. Indeed, during the late Soviet period he mounted a critique of ideological culture in a similar manner to western Pop Art's engagement with consumer culture. His performative work lay the seeds for much contemporary Russian socially-engaged art, and Prigov directly encouraged and inspired the next generation of conceptual dissident artists, such as the well-known Voina (War) group and, later, Pussy Riot, who dedicated their intervention at the 2018 World Cup in Moscow to Prigov's memory. Prigov died in Moscow in 2007, at the age of 66; a lifespan longer than average for a Russian male of his generation. En route to a performance with the Voina group--for which he planned to read poems inside a wardrobe while being carried up the stairs of Moscow University--he collapsed in the subway after a heart attack. N° de réf. du vendeur 00108515859
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Vendeur : World of Books Inc, Montgomery, IL, Etats-Unis
Paperback. Etat : Very Good. Poetry. Fiction. Translated by Simon Schuchat and Ainsley Morse. With nearly 300 pages of prose and poetry, SOVIET TEXTS is the first representative selected volume of Prigov's poetry and experimental prose texts to appear in English. It includes short stories about amazing heroes of the revolution and after, and poetic sequences that expose literature, history, and culture to the stark light of a post-modern Gogolian laughter, some of which became cult-classics for his generation--such as the cycle Image of Reagan in Soviet Literature. A selection of post-Soviet writings, concerned with human mortality and human sinfulness, is also included. While Prigov's writing is very definitely of the Soviet and post-Soviet world, it is consonant with contemporaneous avant-garde writing elsewhere. Dmitri Alexandrovich Prigov (1940-2007) was a leading writer of the late Soviet and early post-Soviet era. Almost until the collapse of the Soviet Union, his writing circulated solely in unofficial samizdat editions and overseas publications. He was briefly detained in a Soviet psychiatric hospital in 1986 but released after protests from establishment literary figures. A founder of Moscow Conceptualism, Prigov was a prolific writer, in all genres, as well as an accomplished visual artist. Described by some critics as Russia's ultimate post-modern trickster, Prigov mastered many personas all of which come together in what is finally an enigmatic, Warhol-esque artistic mask. Indeed, during the late Soviet period he mounted a critique of ideological culture in a similar manner to western Pop Art's engagement with consumer culture. His performative work lay the seeds for much contemporary Russian socially-engaged art, and Prigov directly encouraged and inspired the next generation of conceptual dissident artists, such as the well-known Voina (War) group and, later, Pussy Riot, who dedicated their intervention at the 2018 World Cup in Moscow to Prigov's memory. Prigov died in Moscow in 2007, at the age of 66; a lifespan longer than average for a Russian male of his generation. En route to a performance with the Voina group--for which he planned to read poems inside a wardrobe while being carried up the stairs of Moscow University--he collapsed in the subway after a heart attack. N° de réf. du vendeur CIN1946433071VG
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Vendeur : Bay State Book Company, North Smithfield, RI, Etats-Unis
Etat : very_good. N° de réf. du vendeur BSM.1FPGR
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Vendeur : ThriftBooks-Atlanta, AUSTELL, GA, Etats-Unis
Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G1946433071I3N00
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Vendeur : HPB-Emerald, Dallas, TX, Etats-Unis
paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_480965700
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Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
paperback. Etat : Very Good. Very Good paperback with light shelfwear - NICE! Standard-sized. N° de réf. du vendeur mon0000351737
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Vendeur : Stony Hill Books, Madison, WI, Etats-Unis
Soft cover. Etat : Fine. Quality trade softcover clean square tight unmarked. N° de réf. du vendeur 029181
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Vendeur : YESIBOOKSTORE, MIAMI, FL, Etats-Unis
paperback. Etat : As New. N° de réf. du vendeur 1946433071-VB
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