The final works of the photorealist pioneer, made with a palette of only three colors.
Since the 1970s, Chuck Close (1940-2021) has been known for his innovative approach to conceptual portraiture, systematically transposing his subjects' likenesses from photographs into gridded paintings. Published on the occasion of Pace Gallery's first exhibition of the artist's work since his death in 2021, Red, Yellow, and Blue spotlights Close's final body of paintings, which employ a palette of only three colors. Layering transparent glazes of red, yellow and blue paint, Close created an effect of abstract likeness entirely different from that of his previous work.
Alongside studio photography and images of Close's mosaic works, this volume features a previously unpublished 2018 interview between Close and Cindy Sherman-originally commissioned by the Brooklyn Rail-as well as a new critical essay by Carter Ratcliff, which considers Close's final works in depth. An additional essay by Barbara Knappmeyer examines the artist's portraits in the context of facial recognition technology.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
The final works of the photorealist pioneer, made with a palette of only three colors.
Since the 1970s, Chuck Close (1940-2021) has been known for his innovative approach to conceptual portraiture, systematically transposing his subjects' likenesses from photographs into gridded paintings. Published on the occasion of Pace Gallery's first exhibition of the artist's work since his death in 2021, Red, Yellow, and Blue spotlights Close's final body of paintings, which employ a palette of only three colors. Layering transparent glazes of red, yellow and blue paint, Close created an effect of abstract likeness entirely different from that of his previous work.
Alongside studio photography and images of Close's mosaic works, this volume features a previously unpublished 2018 interview between Close and Cindy Sherman-originally commissioned by the Brooklyn Rail-as well as a new critical essay by Carter Ratcliff, which considers Close's final works in depth. An additional essay by Barbara Knappmeyer examines the artist's portraits in the context of facial recognition technology.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. The final works of the photorealist pioneer, made with a palette of only three colorsSince the 1970s, Chuck Close (19402021) has been known for his innovative approach to conceptual portraiture, systematically transposing his subjects likenesses from photographs into gridded paintings. Published on the occasion of Pace Gallerys first exhibition of the artists work since his death in 2021, Red, Yellow, and Blue spotlights Closes final body of paintings, which employ a palette of only three colors. Layering transparent glazes of red, yellow and blue paint, Close created an effect of abstract likeness entirely different from that of his previous work. Alongside studio photography and images of Closes mosaic works, this volume features a previously unpublished 2018 interview between Close and Cindy Shermanoriginally commissioned by the Brooklyn Railas well as a new critical essay by Carter Ratcliff, which considers Closes final works in depth. An additional essay by Barbara Knappmeyer examines the artists portraits in the context of facial recognition technology. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781948701709
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Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Softcover. Etat : VG+. Color illustrated wraps with yellow text, French flaps inside covers. 83 pp. Color illustrations. 14' L x 12' W. "The gallery's first presentation dedicated to Close's work since the artist's death in 2021, this show will feature a selection of paintings, photographs, and works on paper-- most of which have never been exhibited before--that reflect Close's significant contributions to the history of art. Since it began representing Close in 1977, Pace has exhibited each new body of his work, and this upcoming presentation will complete that cycle. The exhibition will be accompanied by a catalogue featuring a previously unpublished 2018 interview between Close and the artist Cindy Sherman--originally commissioned by The Brooklyn Rail--as well as a new critical essay by Carter Ratcliff, which considers Close's final works in depth. These texts will appear alongside an essay by Barbara Knappmeyer that examines the artist's renderings of the face in the context of facial recognition technology. Since the 1970s, Close has been known for his innovative approach to conceptual portraiture, systematically transposing his subjects' likenesses from photographs into gridded paintings. Over the course of five decades, his work challenged conventional modes of representation across a wide range of media, including various forms of painting, printmaking, drawing, collage, daguerreotypes, Polaroid photography, and tapestry. The artist posed a radical proposition with his approach to painting, going against the grain of art world trends during the late 1960s and 1970s, when Minimalism, abstraction, and seriality were dominant, and portraiture and photorealism were largely overlooked.". N° de réf. du vendeur 209556
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