Himid invites readers into her process through an intimate view of two new bodies of work that engage themes of power and memory.
Best known for her paintings that excavate the legacy of colonialism and expand the possibilities of Black representation, Lubaina Himid (born 1954) played a pivotal role in the British Black Arts Movement in the 1980s and became the first Black woman to win the Turner Prize in 2017. Published on the occasion of Himid's most recent solo exhibition for The Contemporary Austin's 2024 Suzanne Deal Booth / FLAG Art Foundation Prize, Make Do and Mend provides readers with a rare behind-the-scenes look into Himid's process for two new bodies of work: a suite of 10 Strategy Paintings depicting Black men and women seated around tables invested in problem-solving the dynamics of power, and 64 sculptural plank paintings, entitled Aunties, that formally evoke East African funerary objects and Postminimalism, as they pay tribute to the relationships between women.
This book was published in conjunction with The Contemporary Austin; The FLAG Art Foundation, New York.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Himid invites readers into her process through an intimate view of two new bodies of work that engage themes of power and memory.
Best known for her paintings that excavate the legacy of colonialism and expand the possibilities of Black representation, Lubaina Himid (born 1954) played a pivotal role in the British Black Arts Movement in the 1980s and became the first Black woman to win the Turner Prize in 2017. Published on the occasion of Himid's most recent solo exhibition for The Contemporary Austin's 2024 Suzanne Deal Booth / FLAG Art Foundation Prize, Make Do and Mend provides readers with a rare behind-the-scenes look into Himid's process for two new bodies of work: a suite of 10 Strategy Paintings depicting Black men and women seated around tables invested in problem-solving the dynamics of power, and 64 sculptural plank paintings, entitled Aunties, that formally evoke East African funerary objects and Postminimalism, as they pay tribute to the relationships between women.
This book was published in conjunction with The Contemporary Austin; The FLAG Art Foundation, New York.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : Very Good. Himid invites readers into her process through an intimate view of two new bodies of work that engage themes of power and memory Published with The Contemporary Austin and The FLAG Art Foundation, New York. Best known for her paintings that excavate the legacy of colonialism and expand the possibilities of Black representation, Lubaina Himid (born 1954) played a pivotal role in the British Black Arts Movement in the 1980s and became the first Black woman to win the Turner Prize in 2017. Published on the occasion of Himid?s most recent solo exhibition for The Contemporary Austin?s 2024 Suzanne Deal Booth / FLAG Art Foundation Prize, Make Do and Mend provides readers with a rare behind-the-scenes look into Himid?s process for two new bodies of work: a suite of 10 Strategy Paintings depicting Black men and women seated around tables invested in problem-solving the dynamics of power, and 64 sculptural plank paintings, entitled Aunties, that formally evoke East African funerary objects and Postminimalism, as they pay tribute to the relationships between women. N° de réf. du vendeur 00109850236
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Paperback. Etat : Very Good. Himid invites readers into her process through an intimate view of two new bodies of work that engage themes of power and memory Published with The Contemporary Austin and The FLAG Art Foundation, New York. Best known for her paintings that excavate the legacy of colonialism and expand the possibilities of Black representation, Lubaina Himid (born 1954) played a pivotal role in the British Black Arts Movement in the 1980s and became the first Black woman to win the Turner Prize in 2017. Published on the occasion of Himid?s most recent solo exhibition for The Contemporary Austin?s 2024 Suzanne Deal Booth / FLAG Art Foundation Prize, Make Do and Mend provides readers with a rare behind-the-scenes look into Himid?s process for two new bodies of work: a suite of 10 Strategy Paintings depicting Black men and women seated around tables invested in problem-solving the dynamics of power, and 64 sculptural plank paintings, entitled Aunties, that formally evoke East African funerary objects and Postminimalism, as they pay tribute to the relationships between women. N° de réf. du vendeur CIN195494716XVG
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Paperback. Etat : new. Paperback. Himid invites readers into her process through an intimate view of two new bodies of work that engage themes of power and memoryPublished with The Contemporary Austin and The FLAG Art Foundation, New York.Best known for her paintings that excavate the legacy of colonialism and expand the possibilities of Black representation, Lubaina Himid (born 1954) played a pivotal role in the British Black Arts Movement in the 1980s and became the first Black woman to win the Turner Prize in 2017. Published on the occasion of Himids most recent solo exhibition for The Contemporary Austins 2024 Suzanne Deal Booth / FLAG Art Foundation Prize, Make Do and Mend provides readers with a rare behind-the-scenes look into Himids process for two new bodies of work: a suite of 10 Strategy Paintings depicting Black men and women seated around tables invested in problem-solving the dynamics of power, and 64 sculptural plank paintings, entitled Aunties, that formally evoke East African funerary objects and Postminimalism, as they pay tribute to the relationships between women. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781954947160
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