In his debut, No Bedtime Stories of Soil, Landon Smith brings to the page what
The Last Poets delivered to the stage. He writes with the prescience of Amiri
Baraka as he explores polyrhythmic political themes with messages in his
poetry akin to essays by James Baldwin, searing truths that force America to
take a long hard look at herself. A reckoning. A eulogy. The last sermon on a
crumbling mount. Smith's voice is the fire we need this time. In "Ode to Kalief ",
he writes "I hear you in the silence sometimes/The empty space between what
your life should have been and what it became in the hollow space you were
left to erode," signaling his collective hearing of the violent silencing of Black
atrocities in histories past, present and approaching. Smith's voice is the clarion
call for these shifted and shifting times-a beacon for what needs our most
urgent attention. This book is the one we need right now. Primed for the kairos
moment. The manual for next.
-adrienne danyelle oliver, author, the body has memories and collective madness
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Landon Smith (he/him) is a Bay Area professor, a poet, a painter, half Mende and half Balanta & Fulani, that feeling of falling that wakes you up in a dream, the amethyst stone on your desk, Angela Davis' afro, Fanon's pocket notebook, the 7-10 bowling split, your favorite pillow. Despite his institutional degrees, he really became a poet through the East Side Arts Alliance in Oakland. Landon thanks his older sister Alia for buying him his first journal, starting his ever-evolving relationship with words. You can often find him processing the world through poetry.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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