Dorothy Parker’s complete weekly New Yorker column about books and people and the rigors of reviewing.
When, in 1927, Dorothy Parker became a book critic for the New Yorker, she was already a legendary wit, a much-quoted member of the Algonquin Round Table, and an arbiter of literary taste. In the year that she spent as a weekly reviewer, under the rubric “Constant Reader,” she created what is still the most entertaining book column ever written. Parker’s hot takes have lost none of their heat, whether she’s taking aim at the evangelist Aimee Semple MacPherson (“She can go on like that for hours. Can, hell—does”), praising Hemingway’s latest collection (“He discards detail with magnificent lavishness”), or dissenting from the Tao of Pooh (“And it is that word ‘hummy,’ my darlings, that marks the first place in The House at Pooh Corner at which Tonstant Weader Fwowed up”).
Introduced with characteristic wit and sympathy by Sloane Crosley, Constant Reader gathers the complete weekly New Yorker reviews that Parker published from October 1927 through November 1928, with gimlet-eyed appreciations of the high and low, from Isadora Duncan to Al Smith, Charles Lindbergh to Little Orphan Annie, Mussolini to Emily Post
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Dorothy Parker née Rothschild (1898–1967), grew up on New York’s Upper West Side. She became famous for her comic poems, her short stories, her reviews, and her repartée, as recorded by the columnist Wolcott Gibbs over lunches at the Algonquin hotel. A prolific magazine contributor in her youth and a successful screenwriter (she co-wrote the original A Star is Born), she struggled all her life with alcoholism and wrote very little in her later decades, though continued to be a vocal champion of progressive causes, especially civil rights.
Sloane Crosley is the author of the essay collections I Was Told There’d Be Cake (a 2009 finalist for the Thurber Prize for American Humor), How Did You Get This Number, and Look Alive Out There (a 2019 Thurber Prize finalist); the novels The Clasp and Cult Classic; and, most recently, her memoir, Grief Is for People. A contributing editor at Vanity Fair, she lives in New York City.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. When, in 1927, Dorothy Parker became a book critic for the New Yorker, she was already a legendary wit, a much-quoted member of the Algonquin Round Table, and an arbiter of literary taste. In the year that she spent as a weekly reviewer, under the rubric "Constant Reader," she created what is still the most entertaining book column ever written. Parker's hot takes have lost none of their heat, whether she's taking aim at the evangelist Aimee Semple MacPherson ("She can go on like that for hours. Can, hell - does"), praising Hemingway's latest collection ("He discards detail with magnificent lavishness"), or dissenting from the Tao of Pooh ("And it is that word 'hummy,' my darlings, that marks the first place in The House at Pooh Corner at which Tonstant Weader Fwowed up").Introduced with characteristic wit and sympathy by Sloane Crosley, Constant Reader gathers the complete weekly New Yorker reviews that Parker published from October 1927 through November 1928, with gimlet-eyed appreciations of the high and low, from Isadora Duncan to Al Smith, Charles Lindbergh to Little Orphan Annie, Mussolini to Emily Post. N° de réf. du vendeur LU-9781961341258
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Vendeur : BargainBookStores, Grand Rapids, MI, Etats-Unis
Paperback or Softback. Etat : New. Constant Reader: The New Yorker Columns 1927-28. Book. N° de réf. du vendeur BBS-9781961341258
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Vendeur : Rarewaves USA, OSWEGO, IL, Etats-Unis
Paperback. Etat : New. When, in 1927, Dorothy Parker became a book critic for the New Yorker, she was already a legendary wit, a much-quoted member of the Algonquin Round Table, and an arbiter of literary taste. In the year that she spent as a weekly reviewer, under the rubric "Constant Reader," she created what is still the most entertaining book column ever written. Parker's hot takes have lost none of their heat, whether she's taking aim at the evangelist Aimee Semple MacPherson ("She can go on like that for hours. Can, hell - does"), praising Hemingway's latest collection ("He discards detail with magnificent lavishness"), or dissenting from the Tao of Pooh ("And it is that word 'hummy,' my darlings, that marks the first place in The House at Pooh Corner at which Tonstant Weader Fwowed up").Introduced with characteristic wit and sympathy by Sloane Crosley, Constant Reader gathers the complete weekly New Yorker reviews that Parker published from October 1927 through November 1928, with gimlet-eyed appreciations of the high and low, from Isadora Duncan to Al Smith, Charles Lindbergh to Little Orphan Annie, Mussolini to Emily Post. N° de réf. du vendeur LU-9781961341258
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PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur C3-9781961341258
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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Paperback. Etat : new. Paperback. Dorothy Parker's complete weekly New Yorker column about books and people and the rigours of reviewing.When, in 1927, Dorothy Parker became a book critic for the New Yorker, she was already a legendary wit, a much-quoted member of the Algonquin Round Table, and an arbiter of literary taste. In the year that she spent as a weekly reviewer, under the rupic 'Constant Reader', she created what is still the most entertaining book column ever written. Parker's hot takes have lost none of their heat, whether she's taking aim at the evangelist Aimee Semple MacPherson ('She can go on like that for hours. Can, hell does'), praising Hemingway's latest collection ('He discards detail with magnificent lavishness'), or dissenting from the Tao of Pooh ('And it is that word "hummy", my darlings, that marks the first place in The House at Pooh Corner at which Tonstant Weader Fwowed up').Introduced with characteristic wit and sympathy by Sloane Crosley, Constant Reader gathers the complete weekly New Yorker reviews that Parker published from October 1927 through November 1928, with gimlet-eyed appreciations of the high and low, from Isadora Duncan to Al Smith, Charles Lindbergh to Little Orphan Annie, Mussolini to Emily Post Dorothy Parkers complete weekly New Yorker column about books and people and the rigors of reviewing. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781961341258
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