A poet who takes as much from the New York School as from the Metaphysicals, Arthur Vogelsang's images bespeak both imagination and intellect, his forms equal parts carpentry and classical piano, his aesthetic as whimsical as it is political. His "good, nasty poems evoke the America of Norman Rockwell," says John Ashbery, "as Hieronymus Bosch might have painted it," though Vogelsang at second or third glance is never as ironic or surreal as on first read. His "absolutely familiar voice," as one reviewer calls it, disarms amid tough syntax and surprising juxtapositions, and that same reviewer, Gerald Stern, in tracking the mixed polar qualities of Vogelsang's work, says "by direction and by indirection he creates a verbal framework, a poetic tablet, the way a poet can, and if he's brave enough, does."
-The Poetry Foundation
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Arthur Vogelsang is the author of seven books of poetry. Twentieth Century Women (1988) was chosen by John Ashbery for the Contemporary Poetry Series, Cities and Towns (1996) received the Juniper Prize, and Orbit (2016) was in the Pitt Poetry Series. He has numerous appearances in anthologies such as The Best American Poetry (Scribner), American Hybrid (Norton), and The New Breadloaf Anthology of Contemporary Poetry. He was an editor/publisher of The American Poetry Review from 1973-2006. The recipient of a California Arts Council Fellowship and three National Endowment for the Arts Fellowships, he lives in Los Angeles with his wife Judith.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : BargainBookStores, Grand Rapids, MI, Etats-Unis
Paperback or Softback. Etat : New. Smooth Side, Rough Side. Book. N° de réf. du vendeur BBS-9781968148614
Quantité disponible : 5 disponible(s)
Vendeur : California Books, Miami, FL, Etats-Unis
Etat : New. N° de réf. du vendeur I-9781968148614
Quantité disponible : Plus de 20 disponibles
Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Paperback. Etat : new. Paperback. A poet who takes as much from the New York School as from the Metaphysicals, Arthur Vogelsang's images bespeak both imagination and intellect, his forms equal parts carpentry and classical piano, his aesthetic as whimsical as it is political. His "good, nasty poems evoke the America of Norman Rockwell," says John Ashbery, "as Hieronymus Bosch might have painted it," though Vogelsang at second or third glance is never as ironic or surreal as on first read. His "absolutely familiar voice," as one reviewer calls it, disarms amid tough syntax and surprising juxtapositions, and that same reviewer, Gerald Stern, in tracking the mixed polar qualities of Vogelsang's work, says "by direction and by indirection he creates a verbal framework, a poetic tablet, the way a poet can, and if he's brave enough, does."-The Poetry Foundation This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781968148614
Quantité disponible : 1 disponible(s)
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur L2-9781968148614
Quantité disponible : Plus de 20 disponibles
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. 86 pages. 6.00x0.21x9.00 inches. In Stock. N° de réf. du vendeur x-1968148612
Quantité disponible : 2 disponible(s)
Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Taschenbuch. Etat : Neu. Neuware - A poet who takes as much from the New York School as from the Metaphysicals, Arthur Vogelsang's images bespeak both imagination and intellect, his forms equal parts carpentry and classical piano, his aesthetic as whimsical as it is political. His 'good, nasty poems evoke the America of Norman Rockwell,' says John Ashbery, 'as Hieronymus Bosch might have painted it,' though Vogelsang at second or third glance is never as ironic or surreal as on first read. His 'absolutely familiar voice,' as one reviewer calls it, disarms amid tough syntax and surprising juxtapositions, and that same reviewer, Gerald Stern, in tracking the mixed polar qualities of Vogelsang's work, says 'by direction and by indirection he creates a verbal framework, a poetic tablet, the way a poet can, and if he's brave enough, does.'-The Poetry Foundation. N° de réf. du vendeur 9781968148614
Quantité disponible : 2 disponible(s)
Vendeur : AussieBookSeller, Truganina, VIC, Australie
Paperback. Etat : new. Paperback. A poet who takes as much from the New York School as from the Metaphysicals, Arthur Vogelsang's images bespeak both imagination and intellect, his forms equal parts carpentry and classical piano, his aesthetic as whimsical as it is political. His "good, nasty poems evoke the America of Norman Rockwell," says John Ashbery, "as Hieronymus Bosch might have painted it," though Vogelsang at second or third glance is never as ironic or surreal as on first read. His "absolutely familiar voice," as one reviewer calls it, disarms amid tough syntax and surprising juxtapositions, and that same reviewer, Gerald Stern, in tracking the mixed polar qualities of Vogelsang's work, says "by direction and by indirection he creates a verbal framework, a poetic tablet, the way a poet can, and if he's brave enough, does."-The Poetry Foundation This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9781968148614
Quantité disponible : 1 disponible(s)
Vendeur : CitiRetail, Stevenage, Royaume-Uni
Paperback. Etat : new. Paperback. A poet who takes as much from the New York School as from the Metaphysicals, Arthur Vogelsang's images bespeak both imagination and intellect, his forms equal parts carpentry and classical piano, his aesthetic as whimsical as it is political. His "good, nasty poems evoke the America of Norman Rockwell," says John Ashbery, "as Hieronymus Bosch might have painted it," though Vogelsang at second or third glance is never as ironic or surreal as on first read. His "absolutely familiar voice," as one reviewer calls it, disarms amid tough syntax and surprising juxtapositions, and that same reviewer, Gerald Stern, in tracking the mixed polar qualities of Vogelsang's work, says "by direction and by indirection he creates a verbal framework, a poetic tablet, the way a poet can, and if he's brave enough, does."-The Poetry Foundation This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9781968148614
Quantité disponible : 1 disponible(s)
Vendeur : Rarewaves.com UK, London, Royaume-Uni
Paperback. Etat : New. N° de réf. du vendeur LU-9781968148614
Quantité disponible : Plus de 20 disponibles