Early American naturalists assembled dazzling collections of native flora and fauna, from Joihn Bartram's botanical garden in Philadelphia and the artful display of animals in Charles Willson Peale's museum to P. T. Barnum's American Museum, infamously characterized by Henry James as "halls of humbug." Yet physical collections were only one of the myriad ways that these naturalists captured, catalogued, and commemorated America's rich biodiversity. They also turned to writing and art, from John Edward Holbrook's forays into the fascinating world of herpetology to John James Audubon's masterful portraits of American birds.
In this groundbreaking, now classic book, Christoph Irmscher argues that early American natural historians developed a distinctly poetic sensibility that allowed them to imagine themselves as part of, and not apart from, their environment. He also demonstrates what happens to such inclusiveness in the hands of Harvard scientist-turned Amazonian explorer Louis Agassiz, whose racist pseudoscience appalled his student William James.
This expanded, full-color edition of The Poetics of Natural History features a preface and art from award-winning artist Rosamond Purcell and invites the reader to be fully immersed in an era when the boundaries between literature, art, and science became fluid.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
CHRISTOPH IRMSCHER is the George F. Getz Jr. Professor and the Class of 1942 Professor in the Wells Scholars Program at Indiana University, which he also directs. The author of many books, including Louis Agassiz: Creator of American Science, he regularly writes for national publications, including The Wall Street Journal.
ROSAMOND WOLFF PURCELL is a leading American photographer who has earned international acclaim. Her work has appeared in numerous collections, including Finders, Keepers (her collaboration with Stephen Jay Gould) and Bookworm. She is the subject of the documentary An Art that Nature Makes.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Taschenbuch. Etat : Neu. Neuware - Winner of the 2000 American Studies Network Prize and the Literature and Language Award from the Association of American Publishers, Inc. Early American naturalists assembled dazzling collections of native flora and fauna, from John Bartram's botanical garden in Philadelphia and the artful display of animals in Charles Willson Peale's museum to P. T. Barnum's American Museum, infamously characterized by Henry James as "halls of humbug." Yet physical collections were only one of the myriad ways that these naturalists captured, catalogued, and commemorated America's rich biodiversity. They also turned to writing and art, from John Edward Holbrook's forays into the fascinating world of herpetology to John James Audubon's masterful portraits of American birds. In this groundbreaking, now classic book, Christoph Irmscher argues that early American natural historians developed a distinctly poetic sensibility that allowed them to imagine themselves as part of, and not apart from, their environment. He also demonstrates what happens to such inclusiveness in the hands of Harvard scientist-turned Amazonian explorer Louis Agassiz, whose racist pseudoscience appalled his student William James. This expanded, full-color edition of The Poetics of Natural History features a preface and art from award-winning artist Rosamond Purcell and invites the reader to be fully immersed in an era when the boundaries between literature, art, and science became fluid. N° de réf. du vendeur 9781978805866
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