Producing Children imagines the possibility, indeed the inevitability, of a creative relation between children as producers and consumers by revising the long-established, hierarchical relation between adults and children. The chapters in this collection reveal that studying child-produced culture complicates our received understandings of children’s culture as culture by adults, for children, about children. They also underscore “children’s literature” as a cultural phenomenon that moves across and beyond genres, forms, and media. As a whole, this collection reveals that attention to child-produced culture invites dialogue and collaboration across fields and disciplines invested in the critical understanding of children as embodied beings and childhood as both a stage of development and discursive construct with social, political, economic, and cultural dimensions and influence. With the ongoing vibrancy of childhood studies as a multidisciplinary area of inquiry, studies of child-produced culture provide scholars with an exciting opportunity to complicate, enrich, and expand theorization of childhood creativity, children’s culture, and even children themselves.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
PETER C. KUNZE is an assistant professor of communication at Tulane University in New Orleans, Louisiana. He is the author of Staging a Comeback: Broadway, Hollywood, and the Disney Renaissance (Rutgers University Press).
VICTORIA FORD SMITH is an associate professor of English at the University of Connecticut in Storrs. She is the author of Between Generations: Collaborative Authorship in the Golden Age of Children's Literature.Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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