Sascha Stronach’s queer, Maori-inspired Endsong trilogy reopens on a city in flames, where a magic-wielding pirate crew uncovers an age-old fight between the gods that threatens their world.
The steel city of Radovan is consumed by fire between. Stranded in its harbor is the crew of the Kopek, the survivors of a bioterror attack overseas. But they bear scars: their captain, Sibbi, has gone missing; Yat, their newest Weaver, is fighting for control of her own mind; and their Weaving powers are in a badly weakened state.
To disable the technology that prevents the group from escaping, Sen and Kiada must plot their way through the ruins of the foreign capital, which is patrolled by a hostile militia, using wits alone. But to navigate through Radovan, Kiada will have to rely on her own history with the city—one she shares with a band of misfits dubbed Fort Tomorrow and their leader, Ari, a charismatic thief.
Ari may hold the key not only to saving Radovan from complete annihilation, but the history of their world, which will come into play as the gods begin to unleash destruction on humanity and one another.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Sascha Stronach is a Maori author from the Kai Tahu iwi and Kati Huirapa Runaka Ki Puketeraki hapu. She is based in Wellington, New Zealand, and has also spent time in Malaysia, Indonesia, and Singapore, which have all inspired parts of the fictional worlds she creates. A former tech writer, she first broke out into speculative fiction by experimenting with the short form. The Dawnhounds, her debut novel, won the Sir Julius Vogel Award at Worldcon 78.
Chapter 1
My daughter is a demon who lives in the forest. Her muscles are lean; her claws are long; her teeth are a broken mass of pulp and enamel. Her fur is a testament written in scars, a dark scrawl in the incomprehensible calligraphy of violence. When she comes for your children, she eats only their softest parts; she tears the tenderness from them as it was torn from her; she takes their stomachs and lungs; she leaves their muscle and bone to fester on the forest floor. My daughter is a poem written in blood. My daughter is a reckoning. My daughter burns like the sun and you will never catch her.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : Very Good. Sascha Stronachs queer, Maori-inspired Endsong trilogy reopens on a city in flames, where a magic-wielding pirate crew uncovers an age-old fight between the gods that threatens their world. The steel city of Radovan is consumed by fire between. Stranded in its harbor is the crew of the Kopek, the survivors of a bioterror attack overseas. But they bear scars: their captain, Sibbi, has gone missing; Yat, their newest Weaver, is fighting for control of her own mind; and their Weaving powers are in a badly weakened state. To disable the technology that prevents the group from escaping, Sen and Kiada must plot their way through the ruins of the foreign capital, which is patrolled by a hostile militia, using wits alone. But to navigate through Radovan, Kiada will have to rely on her own history with the cityone she shares with a band of misfits dubbed Fort Tomorrow and their leader, Ari, a charismatic thief. Ari may hold the key not only to saving Radovan from complete annihilation, but the history of their world, which will come into play as the gods begin to unleash destruction on humanity and one another. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR014881422
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