A Guardian Best Book of 2022 * “Clever and surprising.” —BuzzFeed * “Brilliantly funny.” —San Francisco Chronicle * “Ingenious.”—The Millions * “Powerful.” —Harper’s Bazaar
A captivating debut novel about a classics professor immersed in research for a new book on a prophecy in the ancient world who confronts chilling questions about her own life just as the pandemic descends—for readers of Jenny Offill, Ottessa Moshfegh, and Sally Rooney.
Covid-19 has arrived in London, and the entire world quickly succumbs to the surreal, chaotic mundanity of screens, isolation, and the disasters big and small that have plagued recent history. As our unnamed narrator—a classics professor immersed in her studies of ancient prophecies—navigates the tightening grip of lockdown, a marriage in crisis, and a ten-year-old son who seems increasingly unreachable, she becomes obsessed with predicting the future. Shifting her focus from chiromancy (prophecy by palm reading) to zoomancy (prophecy by animal behavior) to oenomancy (prophecy by wine), she fails to notice the future creeping into the heart of her very own home, and when she finally does, the threat has already breached the gates.
Brainy and ominous, imaginative and funny, Delphi is a snapshot and a time capsule—it vividly captures our current moment and places our reality in the context of myth. Clare Pollard has delivered one of our first great pandemic novels, a mesmerizing and richly layered story about how we keep on living in a world that is ever-more uncertain and absurd.
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Clare Pollard lives with her husband and two children in London. At nineteen, she published her first book of poetry, The Heavy Petting Zoo. She has since published four more collections of poetry with Bloodaxe, most recently Incarnation. Her play The Weather premiered at the Royal Court Theatre. She has been involved in numerous translation projects, including cotranslating The Sea-Migrations by Asha Lul Mohamud Yusuf which received a PEN Translates award, and translating Ovid’s Heroines, which she toured as a one-woman show in the UK. She is the poetry editor for The Idler and the former editor of Modern Poetry in Translation. Her most recent book was a nonfiction title, Fierce Bad Rabbits: The Tales Behind Children’s Picture Books. Delphi is her first novel.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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