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Afficher les exemplaires de cette édition ISBNIn surrealist artist Paul Klee s The Twittering Machine, the bird-song of a diabolical machine acts as bait to lure humankind into a pit of damnation. Leading political writer and broadcaster Richard Seymour, author of Corbyn: The Strange Rebirth of Radical Politics argues that this is a chilling metaphor for our relationship with social media.
Former social media executives tell us that the system is an addiction-machine. We are users, waiting for our next hit as we like, comment and share. We write to the machine as individuals, but it responds by aggregating our fantasies, desires and frailties into data, and returning them to us as a commodity experience.Through journalism, psychoanalytic reflection and insights from users, developers, security experts and others, Seymour probes the human side of the machine, asking what we re getting out of it, and what we re getting into.
A brilliant, urgent, game-changing intervention. China Miéville, author of October: The Story of the Russian Revolution
Richard Seymour has a brilliant mind and a compelling style. Everything he writes is worth reading. Gary Younge, Editor-at-Large, Guardian
This is a story about desire and violence, as well as writing. It is also a story about what we might be writing ourselves into, culturally and politically. It is not an authoritative accout: that is impossible this early in the evolution of a radically new technopolitical system. This book is an attempt, as much as anything else, to work out a new langauge for thinking about what is coming into being . . .
Richard Seymour is a writer and broadcaster and the author of numerous books about politics, including The Liberal Defence of Murder (Verso, 2008), Against Austerity (2014), Corbyn: The Strange Rebirth of Radical Politics (Verso, 2016) and The Twittering Machine (The Indigo Press, 2019). His writing appears in the Guardian, Jacobin, the London Review of Books, the New York Times and Prospect. He lives in London.
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Description du livre Paperback. Etat : new. Paperback. In surrealist artist Paul Klee's The Twittering Machine, the bird-song of a diabolical machine acts as bait to lure humankind into a pit of damnation. Leading political writer and broadcast Richard Seymour argues that this is a chilling metaphor for relationships with social media.Former social media executives tell us that the system is an addiction-machine. Like drug addicts, we are users, waiting for our next hit as we like, comment, and share. We write to the machine as individuals, but it responds by aggregating our fantasies, desires and frailties into dat, and returning them to us as a commodity experience.Through journalism, psychoanalytic reflection and interviews with users, developers, security experts and others, Seymour probes the human side of this machine, asking what we're getting out of it, and what we're getting into. 'If you really want to set yourself free, you should read a book - preferably this one.' - Observer's Book of the Week'Richard Seymour has a brilliant mind and a compelling style. Everything he writes is worth reading.' - Gary Younge, The Guardian If you really want to set yourself free, you should read a book preferably this one. Observer Book of the Week Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9781999683382
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